This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.

This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest.

This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails.

This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.

Taken from the “Messiah”, this clarinet solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..

This is a clarinet solo that displays a great deal of exuberance. The opening statement is very close to the originally tune. It pauses for a reflective moment and then continues its joyful way. The tune is then presented in a very rhapsodic manner ever increasing the joy of the theme, It concludes with a cadenza exploding into a final flourish.

A piano introduction begins in a vigorous manner and is then joined with the soloist in a brilliant manner of a decorated melody. Coming to the chorus the solo is more fluid and expressive. After a modulation the soloist is offered an opportunity to express the tune with a great deal of flair. The middle section is slower in a thoughtful presentation. The final section regains the flair of the earlier sections and ends on a final long note of resolve.

This clarinet solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more melodic embellishment and ryhthmic activity. Another intermission coupled with a modulation where the piano now carries the tune while the soloist offsets it with a countermelody, The solo line now captures the tune and carries it to the end where it makes a final, restful statement.

This solo is presented in a lush, relaxed format which incorporates the carols “Silent Night”, “Away In A Manger”, “It Came Upon A Midnight Clear”. The solo line is altered rhythmically to give a sense of child-like gentleness while the accompaniment gives a restful underpinning of lush harmonies.

The effect of a parade coming and going… using: Jesus Loves The Little Children; Onward Christian Soldiers; I’ve Got the Joy, Joy, Joy