A solo that starts out with a flourish and continues to bubble its way melodically and with variation. The middle section is a tender reflection of the price paid by Christ for one’s redemption. It then gains anticipation for a strong ending of consecration only to come to a posture of repose.

This tenor sax solo begins with a brief piano introduction and presents the tune in a gently embellished manner that creates interest. After a brief intermission the soloist presents the tune with even more melodic embellishment and ryhthmic activity. Another intermission coupled with a modulation where the piano now carries the tune while the soloist offsets it with a countermelody, The solo line now captures the tune and carries it to the end where it makes a final, restful statement.

This solo begins with a elegant little motif in the upper register of the piano and then moves downward to a simple accompanying figure. The solo enters in a gentle manner with minor modifications- very much in a restful manner. With an abrupt modulation the tune is modified once more in a different way. After two more modulations in the piano the soloist presents the tune with a more “arpeggiated” way and then settles into a final long note- as if “everything’s okay!”

This bubbly rendition of “Come Thou Fount” is effervescent from beginning to end. It is filled with movement and excitement expressing intense joy throughout.

This solo is technically demanding while depicting the content of its title. While it is a provocative title with soul-searching implications, the results of its message produces a great deal of joy- salvation! The themes and embellishments presented here certainly enhances the joyous conclusion of such a concept and then moves to a rather solemn reflection of the wonder of it all.

This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.

Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..

This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.

This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.

Taken from the “Messiah”, this alto sax solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..

This sax solo with piano, this piece is written in march style displaying great resolve. The central sections present new thematic material followed by modified titled hymn materials giving a sense of unity to the piece. It ends with a solid flourish.

A piano introduction begins in a vigorous manner and is then joined with the soloist in a brilliant manner of a decorated melody. Coming to the chorus the solo is more fluid and expressive. After a modulation the soloist is offered an opportunity to express the tune with a great deal of flair. The middle section is slower in a thoughtful presentation. The final section regains the flair of the earlier sections and ends on a final long note of resolve.