This duet is unaccompanied and includes both simple duet movement as well as contrasting contrapuntal activity between the parts. As the piece progresses more activity and joy is expressed and ends on a high note giving way to the essence of the title.

A duet for alto saxes and piano and is presented as a suite. Titles include “God Is Love- Gott Ist Die Liebe,” “With the Shepherd Will I Go- Mit Den Hirten Will Ich Gehen'” “Come Hither Little Children- Ihl Kinderlein Komet.” Can be performed as a solo.

A duet for alto saxes and piano and is presented as a suite. Titles include “Christmas Is Here- Weinacht Is Heut,” “Alle Jahre Wieder,” “Come, Ye Shepherds- Kommet, Ihr Hirten.” Can be performed as a solo.

(unaccompanied)

This duet with piano uses some expressive, interactive cadenza work between the duet parts in the beginning and during the work. It is vigorous in nature otherwise and ends with a torrent of joy!

This clarinet duet would be useful as a special presentation in a service. The nature of the work portrays great joy, variety, and dimension. The conclusive sections are deliberate and strong.

A duet for clarinets and piano and is presented as a suite. Titles include “God Is Love- Gott Ist Die Liebe,” “With the Shepherd Will I Go- Mit Den Hirten Will Ich Gehen'” “Come Hither Little Children- Ihl Kinderlein Komet.” Can be performed as a solo.

A duet for clarinets and piano and is presented as a suite. Titles include “Christmas Is Here- Weinacht Is Heut,” “Alle Jahre Wieder,” “Come, Ye Shepherds- Kommet, Ihr Hirten.” Can be performed as a solo.

An accompanied clarinet duet which begins with a melodic motif and then presents the hymn tune in untision my the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a Q&A forma with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another moduation where the first takes over as a soloist. Then another modulation and then the two parts present the chorus in a straight duet section. Where it remains until the end- as a strong final ending.

This duet with piano uses some expressive, interactive cadenza work between the duet parts in the beginning and during the work. It is vigorous in nature otherwise and ends with a torrent of joy!

Scored for two flutes and piano with opt. piccolo spot. This medley includes: He Keeps Me Singing; Great Is Thy Faithful- ness; Praise Him, All Ye Little Children; Just A Closer Walk With Thee; We’ve A Story to Tell To The Nations.

This flute duet would be useful as a special presentation in a service. The nature of the work portrays great joy, variety, and dimension. The conclusive sections are deliberate and strong.

An unaccompied flute duet that begins with imitative devices between the parts then moves to a nice duet treatment. The piece becomes more contrapuntalas it progresse and then breaks into a series of florishes. It then settles down into a pleasant duet harmy and movement.

This flute duet is unaccompanied and includes both simple duet movement as well as contrasting contrapuntal activity between the parts. As the piece progresses more activity and joy is expressed and ends on a high note giving way to the essence of the title.