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I Need Thee Every Hour
Although the melody is gently modified, this solo with piano displays both a sensitivity along with an elevated soaring quality expressing the need for divine interaction on the part of humanity.
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Amazing Grace
This solo opens with a gentle, Celtic fashion in a duple meter. It progresses through a series expressive obbligati giving a sense of elevation. As it nears the end it modulates metrically and harmonically to a triple meter, and then final repose.
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All The Way Medley
An accompanied clarinet duet which begins with a melodic motif and then presents the hymn tune in unison by the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a Q&A form with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another modulation where the first takes over as a soloist. Then another modulation where the two parts present the chorus in a straight duet section., where it remains until the end.
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O The Deep Deep Love Of Jesus
This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.
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How Beautiful Are The Feet
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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Jesus Loves Me
This solo with piano is constructed in a rondo form alternating the tunes of Jesus Loves Me, Praise Him All Ye Little Children and Jesus Loves The Little Children. Each section of the piece is in a different style thereby giving a great deal of variety technically and musically for the younger player.
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Tis So Sweet to Trust in Jesus
This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic.It will make the young performer sound more advanced.
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My Jesus I Love Thee
This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.
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Abide With Me
This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest.
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Dare To Be A Daniel
This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails.
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Praise Him All Ye Little Children
This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning, with a solid statement of faith.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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And Can It Be
Scored for three Bb clarinets and bass clarinet, this quartet immediately marches off with the dignity that this grand old hymn portrays. The theme is passed around amongst the various parts to add player satisfaction and joy to the listener.
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Holy, Holy, Holy
Written for Clarinet quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
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As The Deer
This clarinet arrangement of As The Deer is a gentle interplay of parts and gives the sensation of a constant flowing steam of water that offers a background for quiet reflection.
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A Servant’s Heart
A clarinet trio with piano accompaniment that is gentle smoothly moving that carries a lyrical flavor throughout. On occasion there are brief alterations of the melody to add variety and movement. A good piece for tender moments.
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The Love Of God
This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.
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I Know Whom I Have Believed
“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.
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Just Over In The Glory Land
After a short piano introduction, the first part introduces the tune as a solo and then joined in with the others parts as decorations leading up to traditional harmonic movement. The second section alternates between parts in a duet fashion and then breaks into a full trio presentation. With a final flourish the pieces concludes.
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A Passion For Thee
This clarinet trio begins with a delightful moving motive in the piano to be joined with the first part, then a duet with part two and then a trio with all three parts. The next section is solemn as the piano drops out and then all join in for an active presentation. The last section begins the theme in the third part with some imitation from part two until the first part takes over the theme and continues in this manner. The coda is simple giving a sense of peace.
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