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What A Friend
Scored for Saxophone quartet (A-A-T-B) with opt. Soprano for first Alto. The introduction starts with the First Alto playing a melodic motif, ever rising to a climatic point and then settling down to the theme- first presented in the First and Tenor parts weaving in and out producing a flowing texture, then joined by the Second Alto and eventually the Baritone. The chorus section of the hymn is a constant weaving of the four parts both harmonically and rhythmically. The next section becomes more active rhythmically adding tension until it settles down into a sweet aura of sound with gentle nudges of harmonic alteration. The final measures give an atmosphere of rest and solace.
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Blessed Be The Name
This saxophone quartet is portrayed in a crisp and cheerful manner. The theme is passed around among the various parts and gains excitement as it passes through several keys. Surely a delight as a special number in any venue. (S/A-A-T-B)
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Holy, Holy, Holy
Written for Saxophone quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
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Power in the Blood
This saxophone trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
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The Bible Stands
An unaccompanied saxophone trio (A-A-A/T) begins from the “git-go” with the melody in the first part with parts two and three adding harmonic and rhythmic interest. A brief modulation and interlude leads into the next section after another modulation with the parts interplaying amongst themselves. Yet, another modulation with block harmonies giving over to yet another modulation and a final ending!
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Count Your Blessings
“Count Your Blessings” is a hymn of not only thanksgiving but continual expression throughout the year. This trio is essentially triadic in the opening section and then moves with more embellishment and excitement.
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As The Deer
This saxophone arrangement of As The Deer is a gentle interplay of parts and gives the sensation of a constant flowing steam of water that offers a background for quiet reflection. Tenor sax opt for Alto 3.
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Jesus Saves
An accompanied saxophone (A-A-A/T) trio beginning with a piano introduction. The first section is a blocked harmony in the saxes with the first carrying the melody. The second section uses the same underlying rhythmic patterns but now the structure is in a different meter (quadruple vs the previous triple) which gives an extended feeling. A couple modulations take place and the style becomes smooth and expressive. This all leads towards the Coda where the whole premise shifts the moods of the beginning where it increases in tension and ends with solid impact.
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Leaning On The Everlasting Arms
This trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feeling) in block harmonization and then goes into a bell-tone rendition of the tune. A brief transition in a slower, expressive style comes to repose where it concludes in the joyful style that the piece began.
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Victory Through Grace
An unaccompanied saxophone trio for three altos (and optional tenor sax) part. The introduction is based on a exuberant motive that leads into the first section which is a straight-forward melody with straight-forward harmonic support. This leads into the next section which gravitates to a different meter as well as key. The parts interplay giving a sense of constant movement. Another modulation takes place and the mood is one of victory and solidification. This continues until a triumphant motive of celebration and victory.
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I Know Whom I Have Believed
“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.
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A Servant’s Heart
A saxophone trio with piano accompaniment that is gentle smoothly moving that carries a lyrical flavor throughout. On occasion there are brief alterations of the melody to add variety and movement. A good piece for tender moments.
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Just Over In The Glory Land
After a short piano introduction, the first part introduces the tune as a solo and then joined in with the others parts as decorations leading up to traditional harmonic movement. The second section alternates between parts in a duet fashion and then breaks into a full trio presentation. With a final flourish the pieces concludes.
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To God Be The Glory
This saxophone trio is presented in an exciting, straight forward fashion; moving continually in a statement of joy and revelry. It ends on a high note of praise.
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A Passion For Thee
This saxophone trio begins with a delightful moving motive in the piano to be joined with the first part, then a duet with part two and then a trio with all three parts. The next section is solemn as the piano drops out and then all join in for an active presentation. The last section begins the theme in the third part with some imitation from part two until the first part takes over the theme and continues in this manner. The coda is simple giving a sense of peace.
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To God Be The Glory
This saxophone duet with piano uses some expressive, interactive cadenza work between the duet parts in the beginning and during the work. It is vigorous in nature otherwise and ends with a torrent of joy!
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Like A River Glorious
This saxophone duet would be useful as a special presentation in a service. The nature of the work portrays great joy, variety, and dimension. The conclusive sections are deliberate and strong.
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Power in the Blood
This saxophone duet with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
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No Not One
This saxophone duet is presented in a rather simple two part fashion. Subsequent verses engage contrapuntal diversity of the melody line versus the harmony. A stirring rendition for any venue.
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Our Great Saviour
This duet is unaccompanied and includes both simple duet movement as well as contrasting contrapuntal activity between the parts. As the piece progresses more activity and joy is expressed and ends on a high note giving way to the essence of the title.
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In The Sweet By and By
An accompanied saxophone duet (2-Altos with opt. Tenor) duet which begins with a melodic motif and then presents the hymn tune in unison by the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a Q&A form with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another modulation where the first takes over as a soloist. Then another modulation where the two parts present the chorus in a straight duet section., where it remains until the end.
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Rejoice Greatly Ye Daughters of Zion
Taken from the “Messiah”, this tenor sax solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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Guide Me, O Thou Great Jehovah
This sax solo with piano, this piece is written in march style displaying great resolve. The central sections present new thematic material followed by modified titled hymn materials giving a sense of unity to the piece. It ends with a solid flourish.