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What Child Is This?
A Rich Heffler Music arrangement. This piece begins in a plaintive manner and in turn is joined by the soloist in an extraneous Celtic-like statement. The piece continues in a somewhat straight forward manner of the tune, again in a Celtic-like style. The rest of the piece continues constantly weaving in and out and around the embellished melody until it concludes with one final statement coming to rest.
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What Child Is This?
A Rich Heffler Music arrangement. This piece begins in a plaintive manner and in turn is joined by the soloist in an extraneous Celtic-like statement. The piece continues in a somewhat straight forward manner of the tune, again in a Celtic-like style. The rest of the piece continues constantly weaving in and out and around the embellished melody until it concludes with one final statement coming to rest.
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What Child Is This?
A Rich Heffler Music arrangement. This piece begins in a plaintive manner and in turn is joined by the soloist in an extraneous Celtic-like statement. The piece continues in a somewhat straight forward manner of the tune, again in a Celtic-like style. The rest of the piece continues constantly weaving in and out and around the embellished melody until it concludes with one final statement coming to rest.
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What Child Is This?
A Rich Heffler Music arrangement. This piece begins in a plaintive manner and in turn is joined by the soloist in an extraneous Celtic-like statement. The piece continues in a somewhat straight forward manner of the tune, again in a Celtic-like style. The rest of the piece continues constantly weaving in and out and around the embellished melody until it concludes with one final statement coming to rest.
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What Child Is This?
A Rich Heffler Music arrangement. This piece begins in a plaintive manner and in turn is joined by the soloist in an extraneous Celtic-like statement. The piece continues in a somewhat straight forward manner of the tune, again in a Celtic-like style. The rest of the piece continues constantly weaving in and out and around the embellished melody until it concludes with one final statement coming to rest.
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What Child Is This?
A Rich Heffler Music arrangement. This piece begins in a plaintive manner and in turn is joined by the soloist in an extraneous Celtic-like statement. The piece continues in a somewhat straight forward manner of the tune, again in a Celtic-like style. The rest of the piece continues constantly weaving in and out and around the embellished melody until it concludes with one final statement coming to rest.
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O Come, All Ye Faithful
Scored for four trombones, there are optional parts for horn and baritones. This piece begins with solid thematic statements only to give over to more embellished punctuations. With a final unison, the harmonies and rhythmic movements conclude the piece.
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He Is Born The Divine Christ Child
A woodwind quartet score for two flutes, two clarinets and piano in a jubilant fashion. The piece starts out with a flute solo then in flute/clarinet responsorals. The piece continues to gain more flavor through rhythmic activity leading up to an exuberant ending.
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God Rest Ye Merry Gentlemen
A flute solo with piano presents itself with a sense of flair- much in a rhapsodic fashion. It has continual embellishment of the theme. Very merry! Very joyful!
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Ding Dong Merrily On High
A cheerful arrangement for 2 trumpets, horn, trombone and piano. The piece moves the melody around to everyone for color and interest. Along with some bell effects, the theme is once again established and then a final chord.
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Carol Of The Bells
A clarinet solo with piano, this piece is simply, yet exquisitely, designed. The thematic material is passed between the solo and the accompaniment, producing a constant color change.
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American Carol Fantasy
“American Carol Fantasy” is a one-movement character piece for orchestra written for the Christmas season. It is based on two Appalachian carols: “Mary Had a Baby” and “I Wonder as I Wander.” A slow introduction using the opening motive of “I Wonder;
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the