-
While Shepherds Watched Flocks By Night
While having a solemnity about it, this duet exudes a simple joy depicting the picture of a pastoral scene. The duet lines are in constant harmony with each other while punctuating the lines with simple devices. It ends with a simply stated sense of finality and dignity.
-
While Shepherds Watched Flocks By Night
While having a solemnity about it, this duet exudes a simple joy depicting the picture of a pastoral scene. The duet lines are in constant harmony with each other while punctuating the lines with simple devices. It ends with a simply stated sense of finality and dignity.
-
While Shepherds Watched Flocks By Night
While having a solemnity about it, this duet exudes a simple joy depicting the picture of a pastoral scene. The duet lines are in constant harmony with each other while punctuating the lines with simple devices. It ends with a simply stated sense of finality and dignity.
-
While Shepherds Watched Flocks By Night
While having a solemnity about it, this duet exudes a simple joy depicting the picture of a pastoral scene. The duet lines are in constant harmony with each other while punctuating the lines with simple devices. It ends with a simply stated sense of finality and dignity.
-
How Great Our Joy
For trumpet and horn (opt. Trp) and piano this arrangement is appropriate for the younger player. But, while it meets those needs it contains various musical devices to make a solid musical presentation. Full of punctuation- it is ever changing sure to keep the player and listener constantly engaged.
-
Here We Come A-Caroling
A cheerful, rollicking woodwind quintet (with optional parts) that’s likely to bring a smile to any listener and a sense of joy to the players themselves. The piece almost perpetuates a sense of constant innovation and surprises that is certain to add to the season.
-
Angels From The Realms Of Glory (acc)
With a sense of expectation this piece has a sense of solid movement- having both solid harmonic structure among the trio parts as well as imitative movement to add interest. After a final, solid statement, the piece ends with a bold chord.
-
God Rest Ye Merry Gentle Brass
Presented in an almost march-like nature, this stately rendition includes all kinds of “fun” devices. A sure hit for the lighter side of a Christmas presentation.
-
Adeste Fidelis
A delightful brass ensemble arrangement that gives a constant sense of moment with various rhythmic devices while maintaining the sweeping nature of this old established tune. All parts get in the action from beginning to end- which is powerful and fulfilling.
-
-
O Holy Night
A brass sextet which has a gentle motion to it (much like a barcarolle) presents the melody in the middle voices adding more harmonic richness as it proceeds until the upper voices take over the bulk of the thematic material- all the while continuing with the pulsing patterns in the accompaniment. The next section is carried by the inner voices once again while the out voices added tension and impact. The middle section is slower and more plaintive fashion which has supportive material that weaves in and out until it comes to a climatic point. It gradually retreats until it reaches a sense of calm and solitude. (Opt trp for horn and BHTC for Trm 2)
-
-
Carol Of The Bells
A alto saxophone solo with piano, this piece is simply, yet exquisitely, designed. The thematic material is passed between the solo and the accompaniment, producing a constant color change.
-
Away In A Manger
A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.
-
Away In A Manger
A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.
-
Away In A Manger
A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.
-
Away In A Manger
A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.
-
Away In A Manger
A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.
-
Away In A Manger
A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.
-
Away In A Manger
A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.
-
Away In A Manger
A Rich Heffler Music arrangement. The piece begins with a statement of “Flow Gently Sweet Afton,” in the piano and is restated by the soloist in a ritornello format. The second statement is made in the piano while soloist soars above it with an obbligato. The piece then switches to “Luther’s Hymn” and then breaks into a variation-like presentation and then begins a free form. The final section imitates the beginning one and then becomes solemn and peaceful.