solo with piano in a majestic march style

A brass solo with piano that expresses itself with altered melody lines, rhythm-wise, giving a great opportunity for great expressiveness. The middle section is enhanced by beautiful counterlines moving to melodic motifs to the end.

Even though this arrangement is written well within the range of the novice player, it is also crafted to be expressive and beautiful. Both the trumpet and piano are featured as soloist.

A Rich Heffler Music arrangement. This solo is presented in a pastoral setting being very reflective. Melodic material is not modified to a larger degree allowing for a solemn setting

Traditional setting; acc.

Joyous rendition set as an Irish folk song

Beginning and ending with a majestic fanfare, this Easter piece features a middle section that is lyrical and melodic. Both instruments are featured soloists.
Trumpet Solo with Piano Accompaniment

This Christmas arrangement sounds fresh and warm partly because it is crafted in 4/4 meter rather than the trad. triple meter. The cadenza may be omitted without affecting the integrity and beauty of the piece.
Trumpet Solo with Piano Acc.

… features the flexibility of an optional cadenza, which may be omitted by the novice player or by the more advanced player due to time restraints without altering the overall beauty and integrity of the piece.
Trumpet Solo with Piano Accompaniment

Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in triplets. In variation two, the tune is rhythmically altered while the upper accompaniment is presented in a spritely fashion. Variation three, the tune is in a triplet moving nature while the theme is in block harmonization in the accompaniment. Variation four is expressive in an almost cadenza fashion. Finally, the Fugue is in a lively four voice manner, ending with a strong proclamation of the title, itself.

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same. A transition becomes freer in rhythm and harmony. It then repeats back to the opening sections and then moves to the coda where the piece ends in a solemn fashion.

A Rich Heffler Music arrangement. This solo begins with a calm, reverent setting and is expressive throughout. The middle section is somewhat freer in melodic presentation with the solo more as an obbligato. The ending settles into a quiet, assuring repose.

A Rich Heffler Music arrangement. The introduction establishes a dirge-like atmosphere joined in by the solo line carrying on the mood. The second section puts the melody in the piano part while solo soars above with a flowing obbligato and then shifts to the melody and concludes with a brief cadenza. The piece concludes with a melodic fragment in the piano and a smooth overflowing obbligato in the solo line

Traditional setting; acc.