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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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Redeemed
This is a violin solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a tenor sax solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a alto sax solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a clarinet solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a oboe solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a flute solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed- Medley
This alto saxophone solo with piano accompaniment is a medley of two gospel songs on redemption. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.
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Redeemed-Medley
This clarinet solo with piano accompaniment is a medley of two gospel songs on redemption. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.
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Will Jesus Find Us Watching
The piece starts out with a reflective feeling- challenging the though of the title. But all of a sudden it breaks out with a sense of resolve as if the questions has been answered. This resolve is present in many different ways, compositionally, until it builds to a final, determined resolve!
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To God Be The Glory
Scored for traditional woodwind quintet with optional flute, alto sax and bass clarinet parts. The piece is presented in a cheerful manner from beginning to the end. It uses a variety of rhythmic patterns to drive the vitality and joy while moving amongst the various voices which is intended in the title. It ends in a gentle chord of repose.
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