-
-
-
-
-
-
-
-
-
To God Be The Glory
Crafted as a waltz, this praise band arrangement may be performed with as few as 4 players (Trp, A. Sx, Tbn, Pno) yet expands to include a full band (3 Trp, 2 A. Sx, T. Sx, Bari Sx, 3 Tbn, Pno, Bass, Gtr, Organ)
Praise Band -
-
-
-
Blessings
(2-fl & 2cl) (including “Doxology, Come Thou Fount, Count Your Blessings, Blessed Assurance”)
-
Blessings
(4 fl; or 2fl & 2-cl) (including “Doxology, Come Thou Fount, Count Your Blessings, Blessed Assurance”
-
-
-
To God Be The Glory
A fanfare introduction is used as a bridge to various sections of To God Be The Glory based on the gospel hymn. The first chorus uses syncopation, and interesting countermelodies. There is one eight measure contrapuntal phrase for three solo instruments with ample cues. This is an exciting opener for any concert. (Keys: F, Ab, and Eb)
-
All The Way My Saviour Leads
Opening in a reflective mood, the theme is presented against a smooth countermelody in the woodwinds, expanding to full band. Modulating upward, the brass choir states the theme while the woodwinds punctuate with an obligato. After a sensitive section the band grows to climatic proportions and then tapers to reflect the beginning.
-
-
-
-
To God Be The Glory
This duet with piano uses some expressive, interactive cadenza work between the duet parts in the beginning and during the work. It is vigorous in nature otherwise and ends with a torrent of joy!
-
Victory Through Grace
An unaccompanied trombone trio with optional baritone TC part. The introduction is based on a exuberant motive that leads into the first section which is a straight-forward melody with straight-forward harmonic support. This leads into the next section which gravitates to a different meter as well as key. The parts interplay giving a sense of constant movement. Another modulation takes place and the mood is one of victory and solidification. This continues until a triumphant motive of celebration and victory.
-
Victory Through Grace
An unaccompanied trumpet trio. The introduction is based on a exuberant motive that leads into the first section which is a straight-forward melody with straight-forward harmonic support. This leads into the next section which gravitates to a different meter as well as key. The parts interplay giving a sense of constant movement. Another modulation takes place and the mood is one of victory and solidification. This continues until a triumphant motive of celebration and victory.
-
To God Be The Glory
This duet with piano uses some expressive, interactive cadenza work between the duet parts in the beginning and during the work. It is vigorous in nature otherwise and ends with a torrent of joy!