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Cross and Glory
fl 1,2, ob 1,2, bassn, cl 1,2, trp 1,2,3, hn 1,2, tromb 1,2, tuba, timp, perc=(bells,mar, SD, BD, cym), vln 1,2, vla, ce, str bass, synth string reduction. “Ain’a That Good News” & “Were You There?”: “Ain’a That Good News” & “Were You There?”
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Sacred Head
This staple hymn of the Chrsitian literature starts out with the woodwinds presenting the theme with subtle splashes of percussive small instruments. The piece explodes into a tutti statement only to fall back into a solemn style in the woodwinds, colored by mallet percussion obligato. After a brief interlude of imitation in the woodwinds the brass take over with an exchange of choral motives. The piece gains strength with a tutti climax and then continues with thematic repetition to further enhance the theme’s importance. The woodwind choir with percussion underpinning makes a solemn statement and then gently settles back to a sense of peace.
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Hymn Stories, Al Smith’s Treasury of
Hardback Book. The authentic, inspiring, and often unknown, storeis behind the writing of over 115 favorite hymns and Gospel songs. COMPLETE SONG included with each story.
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Sound Roots
A Theological perspective as to music…Chapters: Preparation, Principles, Procedure, Poer, Purpose, Conclusion, charts and Scriptural References to Music.