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There’s A New Song In My Heart (unacc)
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.
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Holy, Holy, Holy (unacc)
A flute quartet which begins with a Q/A format and then breaks into a chordal structure with some gentle modifications. This format continues until it moves into a modulation where the piece once again uses a Q/A design- keeping the piece on the move. This flowing movement continues until it modulates into a section that is grand and declamatory. After some unctuated accompaniment the piece makes a final declamation then lies into repose.
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O Sacred Head (unacc)
This quartet is in a solemn legato style throughout featuring melodic materials in each of the four parts. It is graced with gently moving accompaniment lines that further enhances the reflective spirit which is so evident in this hymn. It peaks in different portions of the composition and then reflects itself in a quiet repose to end.
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Holy, Holy, Holy (unacc)
Written for Flute quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
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In The Garden
This trio for Easter renders a simple and gentle movement that is continually flowing with contrapuntal lines that exudes wonderment- truly a piece that causes reflection. There is activity in each of the parts and the melodic material is passed around for interest. If you want a piece for reflection this might well be the piece for you.
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Power in the Blood (acc)
This flute trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
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Redeemed (unacc)
A flute trio that expresses the joy of redemption through melodic embellishment, some trills, and harmonic changes. The hymn tune, “Redeemed”, is passed around amongst the parts of this unaccompanied trio.
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Praise Him, Praise Him (unacc)
A woodwind trio for flute; unaccompanied. Like a stately march the introduction uses a motif gravitating through several harmonic changes giving way to a modified thematic presentation with all three parts being in active counterpoint,and the tune passed about all the parts. The tune then moves about in a hocket fashion keeping all parts busy. The final section is somewhat in keeping with the first section coming to a solid “Praise Him” conclusion.
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Leaning On The Everlasting Arms (acc)
This trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feeling) in block harmonization and then goes into a bell-tone rendition of the tune. A brief transition in a slower, expressive style comes to repose where it concludes in the joyful style that the piece began.
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Away In A Manger (acc)
For three like instruments, accompanied by piano, the piece is largely homophonic in nature. There are various phrases that are rhythmically altered for interest-active, yet sublime.
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To God Be The Glory
This duet with piano uses some expressive, interactive cadenza work between the duet parts in the beginning and during the work. It is vigorous in nature otherwise and ends with a torrent of joy!
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Hymn Fantasy (acc)
Scored for two flutes and piano with opt. piccolo spot. This medley includes: He Keeps Me Singing; Great Is Thy Faithful- ness; Praise Him, All Ye Little Children; Just A Closer Walk With Thee; We’ve A Story to Tell To The Nations.
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Like A River Glorious (acc)
This flute duet would be useful as a special presentation in a service. The nature of the work portrays great joy, variety, and dimension. The conclusive sections are deliberate and strong.
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Power in the Blood (acc)
This flute duet with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
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A New Name In Glory (unacc)
An unaccompied flute duet that begins with imitative devices between the parts then moves to a nice duet treatment. The piece becomes more contrapuntalas it progresse and then breaks into a series of florishes. It then settles down into a pleasant duet harmy and movement.
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Our Great Savior (unacc)
This flute duet is unaccompanied and includes both simple duet movement as well as contrasting contrapuntal activity between the parts. As the piece progresses more activity and joy is expressed and ends on a high note giving way to the essence of the title.
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Three German Carols (acc)
A duet for flutes and piano and is presented as a suite. Titles include “God Is Love- Gott Ist Die Liebe,” “With the Shepherd Will I Go- Mit Den Hirten Will Ich Gehen'” “Come Hither Little Children- Ihl Kinderlein Komet.” Can be performed as a solo.
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Three German Carols #2 (acc)
A duet for flutes and piano and is presented as a suite. Titles include “Christmas Is Here- Weinacht Is Heut,” “Alle Jahre Wieder,” “Come, Ye Shepherds- Kommet, Ihr Hirten.” Can be performed as a solo.