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Dare To Be A Daniel
$3.50This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails.
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Praise Him All Ye Little Children
$3.50This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning, with a solid statement of faith.
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For The Beauty Of The Earth
$3.50This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
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Holy, Holy, Holy
$3.50This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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He Is Born, The Divine Christ Child
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. The piece gins in a spritely duet in the upper voices and reverses roles with the lower voices carrying the melody and duet lines. All four voices now join in a smooth, serene fashion until it gains dynamic and harmonic strength. A modulation upward with the tune in voice two, and an obbligato-like movement in part one, while the lower parts underpin with a simplistic, though active line. In the last section the parts become more active and excitement abounds until a final flourish establishes the end.
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I Want Jesus To Walk With Me
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. A beginning that is yearning in emotion and subtle shifts in harmonic and linear lines. A modulation to a higher tessitura in strong block chords gives a feeling of strength. The piece then settles back into the original key with a series of imitation of the various parts. The piece becomes more solemn as the pitch levels drop until settling into a final cadence.
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The Master Hath Come
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. An introduction using unrelated material leads the tune presented in voice two, supported by harmonies in the lower voices, then an obbligato-like motion added by the upper voice. A modulation upward makes room for a duet in the upper lines, later joined by the lower voices in a contrapuntal fashion. The final section becomes more vigorous and imitative until a solid, declamatory ending.
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Jesus’ Hands Were Kind Hands
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. The first phrase is stated in the top voice, then adding the second voice, further adding the third voice until all voices are in agreement. The next section moves in a rather jaunty motion going through various meter changes. The middle section is stated with the tune in the top voice with accompaniment figures presented in a syncopated manner. All this happening in a modulated key. Further modulation takes place with a motive stated in the second voice, followed the third, then first until it settles into a final statement of kindness.
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Jesus, Lover Of My Soul
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. An opening with an active top voice giving over to the lower voices doing the same. Then in block harmonic movement the pieces moves along with subtle harmonic shifts. The middle section continues in much the same fashion with dynamic shifts. The next area is the same fashion only this time with the lower voices carrying the activity and the upper voice in more solemn movement. The final section is more active with the top voice using material from the introduction and slows to repose.
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Through The Love Of Christ, Our Saviour
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. Opening with the upper two parts and then adding the lower voices gravitating to a block harmonic structure. The middle section starts with lower voices using a extraneous motif and stacked with upper voices doing the same in imitation. Then with more vigor all voices join in block harmonies until the final section where again imitation takes place until the final block harmonies take place.
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Come, Thou Long-Expected Jesus
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. The begins with the tune in the upper line and then shifted to activity in the inner lines. And then back to the voicing of the beginning, coming to a solid conclusion.
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Lily of The Valley
$9.00A flute quartet that is joyous and exhuberant expressing the finding of the Savior, from beginning to end. It doesn’t let up with its joyous with a flurry of rapture ending on a high note of praise.
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What Child Is This (unacc)
$8.00Score for four flutes the piece openings with a quasi round device and then establishes a more straight forward rendition of the tune. The final section becomes quite florid with intricately woven countrapuntal voicing.
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God So Loved The World (unacc)
$8.00A unaccompanied flute quartet that begins with an extensive introduction with moving lines in all four parts. The next section is carried in the fourth part with counter lines in the upper parts. The interest then shifts to the upper parts with counterlines in the lower voices. The last section is carried by the upper line but is shifted around the various voices giving much interest to the piece and a sense of constant movement
