| Weight | 2 oz |
|---|---|
| Instrument | |
| Level | 3 |
| Preview | https://www.despub.com/wp-content/uploads/pdfs/pdf110407.pdf |
| Recording | https://www.despub.com/wp-content/uploads/music/mpt110407.mp3 |
| Occasion | |
| Tune Name | |
| Theme | What Child s This |
| Hymn First Line | What Child is this, who, laid to rest |
| Writer | |
| Composer | |
| Publisher | |
| Copyright | 1995 |
| Key | g |
| Meter | 6-8 |
| Duration | 2'30" |
| Idiom | Flute quartet |
| Form | Song (ternary) |
What Child Is This (unacc)
$8.00
Score for four flutes the piece openings with a quasi round device and then establishes a more straight forward rendition of the tune. The final section becomes quite florid with intricately woven countrapuntal voicing.
Related products
-
-
God So Loved The World (unacc)
$8.00A unaccompanied flute quartet that begins with an extensive introduction with moving lines in all four parts. The next section is carried in the fourth part with counter lines in the upper parts. The interest then shifts to the upper parts with counterlines in the lower voices. The last section is carried by the upper line but is shifted around the various voices giving much interest to the piece and a sense of constant movement
-
Blessed Be The Name
$9.00This saxophone quartet is portrayed in a crisp and cheerful manner. The theme is passed around among the various parts and gains excitement as it passes through several keys. Surely a delight as a special number in any venue. (S/A-A-T-B)
-
-
There’s A New Song In My Heart (unacc)
$7.50An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.
-
Tis So Sweet To Trust
$8.00A quartet for 2 flutes and 2 clarinets with opt. parts for oboe, B. clar., bassoon and Alto sax. After a brief introduction the flutes carry the melodic material and then shifting the chorus to the clarinets. A modulation shifts the attention to the clarinet melody with punctuation remarks in the other instruments. Further transition moves to another modulation where thematic motifs are passed around in a fughetta fashion where it then becomes more choral in nature ending in a solemn statement.
