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Away In A Manger
This solo with piano begins with the portrayal of a pastoral setting. The arrangement incorporates both “Flow Gently Sweet Afton” and “Luther’s Hymn”.The arrangement is edited with bowing and fingering marks.
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We Gather Together
This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme. The arrangement is edited with bowing and fingering.
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Dare To Be A Daniel
This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails. The arrangement is edited with bowing and fingering marks.
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Praise Him All Ye Little Children
This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning. The arrangement is edited with bowing and fingering
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Abide With Me
This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest. The arrangement is edited with bowing and fingering marks.
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My Jesus I Love Thee
This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda. The arrangement is edited with bowing and fingering
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.The arrangement is edited with bowing and fingering marks.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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God Of Abraham Praise
This unaccompanied violin trio begins with a unison statement, then breaks into harmonic development. There are brief moments of harmonic shifts to add variety to this otherwise easy piece.
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Springs Of Living Water
Bubbly is an appropriate description of this violin duet from beginning to end. It begins with non-thematic material and then breaks into the song as a simply duet style followed by the second part carrying the theme while the first part adds a delightful obbligato. The middle section is a contrast in tempo and style with an expressive line in the first violin with a gentle underpinning of the piano. After a tempo increase the violins repeat the duet style line of earlier section and then embellishes the lines with more active rhythms. With a final acceleration, the piece comes to a solid close.
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Canon In D
Written for 2 violins and piano, this arrangement extracts a portion of the original work and will serve well for various ceremonies.
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Channels Only
A Violin duet beginning with a motivic introduction followed by part one presenting a modified melody with part two using a moving countermelody. The next phrase the roles are reversed. Next a modulation occurs and the melodic material is much like the first verse followed my another modulation. The coda section is much like the introduction only this time in a different meter and concludes in a simplistic fashion.
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Trust Him Only
Scored for two unaccompanied strings it begins with a motif in imitation… The first thematic statement is made with a delicately altered theme in the upper line while the lower line moves in a gentle counterpoint.. The second section is in a new key at a higher level with the melody alters even more while the second voice is more expressive and stretched out. The next section changes key once again and mirrors the movement of the first section. Again, a modulation takes place and the parts are more bold and duet like in their presentation. A final modulation takes the piece upward and the style is more bold where it comes to a brief Coda- where it relaxes into a quite confidence.
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It Came Upon A Midnight Clear
Score for two strings and piano this easier piece shows a delicate counterpoint between the instruments along with some sensitive motivic embellsihments.
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Pastoral Symphony
An accompanied violin duet taken from Handel’s Messiah. After a two measure introduction the violins (in duet form) present the tune in simple form with occasional trills. It starts softly and builds climatically and progresses back to soft stages where it goes back to the beginning and jumps to a abbreviated coda.
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His Eye Is On The Sparrow
An upper level violin solo with piano, the piece demands the use of many double stops with duet like sections and it is very rhapsodic in nature–and as one would expect, many bird-like devices.
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Wondrous Cross
An upper level violin solo with piano, the piece demands the use of many double stops, and it is very rhapsodic in nature. A medley in structure, included are: “When I Survey,” and “Man Of Sorrows,” with a stirring ending!
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O Jesus, I Have Promised
An upper level violin solo with piano, the piece demands the use of the broad range of the instrument’s ability. It is very rhapsodic in nature while being expressive throughout- going from simplistic renditions to often embellished melodic alterations.
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Joybells-Heaven Came Down
An upper level violin solo with piano, this joyful piece demands the use of many double stops and large amounts of melodic embellishment. It is very rhapsodic and virtuosic in nature. This medley includes: “Joybells,” and “Heaven Came Down.”
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Balm In Gilead
An upper level violin solo with piano, the piece demands the use of many double stops, and it is very rhapsodic in nature and is expressive throughout. It is very sensitive and allows great opportunites for expressive playing.
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Sweeter As The Years Go By
An upper level violin solo with piano, the piece is very rhapsodic in nature–it is expressive throughout while using a varying degree of melodic embellishment.
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Beneath The Cross/Jesus, I My Cross Have Taken
An upper level violin solo with piano, the piece demands the use of many double stops, and it is very rhapsodic in nature and is expressive throughout. As a medley in incorporates “Beneath The Cross,” and “Jesus I My Cross Have Taken.”