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Take The World But Give Me Jesus
A violin solo with piano accompaniment begins with a reflective motif. The violin makes an initial statement of the theme incorporating many double stops for harmonic and colorful shadings, all the while the accompaniment supports with choral movement. The piece comes to a repose where it allows the soloist to execute a cadenza section displaying multiple stops and melodic alterations. A modulation takes place where the piece becomes increasingly expressive. The piece becomes more plaintive and then with a mute added the piece comes to complete rest.
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I Gave My Life For Thee
A violin solo with piano accompaniment begins with a reflective motif. The violin makes an initial statement of the theme incorporating many double stops for harmonic and colorful shadings, all the while the accompaniment supporting with almost harp-like motions. This leads into an exuberant display of movement and bowing technics The second section continues in much the same manner all the while giving a serene sense until the piece comes to complete rest.
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Jesus Is All The World To Me
A violin solo with piano accompaniment begins with a reflective motif. The violin makes an initial statement of the theme incorporating many double stops for harmonic and colorful shadings, all the while the accompaniment supporting with almost harp-like motions. The chorus section drops to a lower range of the instrument while the piano makes florid movements above… A dramatic modulation takes place where the them has simple melodic alterations which later displays the theme in double stop octaves. This continues until the piece becomes dramatic and bold until it comes to an abrupt stop and settles into a state of serenity.
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Now I Belong To Jesus
A violin solo with piano accompaniment begins with a reflective motif. The soloist then presents itself in the upper register of the instrument, although in a rather plaintive fashion. The second section augments itself with extended rhythms and gentle runs. A brief modulation moves to the middle range of the violin along with melodic embellishments where it settles into an elevated conclusion.
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All That Thrills My Soul Is Jesus
A violin solo with piano accompaniment begins in a reflective mood giving way to the tune in the upper register of the violin. An abrupt modulation an upward key where the solo drops to a lower octave and the piano presents itself in a more agitated manner. The theme ends up back in a higher register where the piano gives continual arpeggiated motion where it all comes to a sublime conclusion.
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Turn Your Eyes Upon Jesus
A violin solo with piano accompaniment begins in a reflective mood joined by the soloist in a plaintive statement of the melody. Then up the octave with a vigorous accompaniment giving a sense of urgency takes place. The second section gives way to the tune in the piano while the solo gives movement with a moving obbligato. This all comes to a point of repose and then gravitates to a statement of the introduction in the piano.
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Majestic Worship w/Organ and Trumpets, Vol.2
(see trp. duets)Please note: To achieve fuller ensemble(s)the above pieces may be played with the corresponding “Majestic Preludes for Organ and Winds” as well as “Majestic Preludes for Organ and Strings” Listed in this catalog.
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God Of Our Fathers
For brass choir, percussion and organ. This is a massive work in expression. It begins with the brass in a fanfare opening. The theme is then presented in the middle and low brass with the trumpets adding splashes of punctuation. The thematic material then alternates between the middle and low brass with the organ. The trumpets then add in with a sweeping transition and the organ goes to work supplying most of the action. The brass alternate between high and low instruments to make color shifts. They all join in together leading up to a massive conclusion where a congregation or vocal ensemble can sing the final verse with the brass and organ alternating by adding fanfare motives right up to the final punctuated chords.
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Battle Hymn Of The Republic
For brass choir and percussion- this is a very strong and ambitious work. With a firery and fanfare like beginning the introduction then breaks into a solid full ensemble sound. The first section is carried by the horns along with trumpet and percussion punctuations. The second section features the trumpet with the remaining brass supporting it with pyramid chords. The next section is more like a processional where it comings to repose. Moving on to a chordal rendition of the tune the flow of the piece is broken up in to phrase like sections. After a flair of the trumpets the piece becomes solid in its structure coming to a massive conclusion.
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