| Instrument | |
|---|---|
| Level | 4 |
| Preview | https://www.despub.com/wp-content/uploads/pdfs/pdfMB3060.pdf |
| Occasion | |
| Tune Name | |
| Theme | Coventry Carol (Lully, Lullay) |
| Hymn First Line | Coventry carol |
| Writer | |
| Composer | |
| Publisher | |
| Key | e |
| Meter | 6-4, 3-4 |
| Idiom | 2 Trp., 2 Hn., 3 Trb., Per.(Sc, Bells, Sd, Ch) |
| Form | Song (binary) |
| Comments | Coventry Carol (Lully, Lullay) (2-tp; 2-hn; 3-trb; perc) |
Coventry Carol (Lully, Lullay)
$24.95
Related products
-
-
Come, Thou Long-Expected Jesus
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. The begins with the tune in the upper line and then shifted to activity in the inner lines. And then back to the voicing of the beginning, coming to a solid conclusion.
-
Jesus’ Hands Were Kind Hands
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. The first phrase is stated in the top voice, then adding the second voice, further adding the third voice until all voices are in agreement. The next section moves in a rather jaunty motion going through various meter changes. The middle section is stated with the tune in the top voice with accompaniment figures presented in a syncopated manner. All this happening in a modulated key. Further modulation takes place with a motive stated in the second voice, followed the third, then first until it settles into a final statement of kindness.
-
God’s Care
$10.00(3-tpt, 2-hn, 2-tmb, BH, tba): God Be With You; God Leads Us Along; God Will Take Care of You; We Have An Anchor
-
Jesus, Lover Of My Soul
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass. An opening with an active top voice giving over to the lower voices doing the same. Then in block harmonic movement the pieces moves along with subtle harmonic shifts. The middle section continues in much the same fashion with dynamic shifts. The next area is the same fashion only this time with the lower voices carrying the activity and the upper voice in more solemn movement. The final section is more active with the top voice using material from the introduction and slows to repose.
