-
-
-
-
Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
-
Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
-
Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
-
Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
-
Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
-
Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
-
Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
-
Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
-
Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
-
-
Christmas Winds -solos for Flute or Clarinet
Solos books have a CD acc with double tracks; solo parts printable off CD
-
Christmas Winds -solos for Flute or Clarinet
Solos books have a CD acc with double tracks; solo parts printable off CD
-
Trombone or Euphonium Solos for Worship, Vol. 2
Trombone with piano with CD. Parts are printable from CD
-
Trombone or Euphonium Solos for Worship, Vol. 2
Trombone with piano with CD. Parts are printable from CD
-
-
-
-
Crown Hymns Bb Melody / Alto (& Guitar chords)
Crown Hymns Orchestration Information on the “SMS Orchestration” series.
-
Crown Hymns C Tenor (Alto Clef) /Bass
Crown Hymns Orchestration Information on the “SMS Orchestration” series.
-
Crown Hymns C Bass / Bass 8vb
Crown Hymns Orchestration Information on the “SMS Orchestration” series.
-
Crown Hymns Melody B.C. / Bass B.C.
Crown Hymns Orchestration Information on the “SMS Orchestration” series.
-
Crown Hymns F Melody / Tenor
Crown Hymns Orchestration Information on the “SMS Orchestration” series.