-
Were You There?
Rich Heffler has arranged this traditional Spiritual in a contemporary setting, with some classical rhythmic elements – one of his trademarks. The five parts are for a traditional woodwind quintet – but substitute parts are included so flute, clarinet
-
Jesus Paid It All
This is the first woodwind quintet from a series written by Rich Heffler (Marine Band arranger) for a professional church woodwind ensemble, performing concerts. This title was first played at Camp of the Woods in upper New York state – a Christian c
-
Open My Eyes
This true woodwind quintet has the Rich Heffler signature on it. Using idioms from Brahms’ Symphony no. 2, first movement, (and actual musical portions), Rich has woven an arrangement around the Brahms musical ideas and the hymn tune that will deligh
-
It Is Well With My Soul
This is probably Rich Heffler’s best selling title – and is very well received in both traditional and contemporary worship services, and at many Christian schools. Rich has created some very unique and classic rhythmic patterns in the accompaniment,
-
Medley Of Nine Hymn Favorites
This arrangement includes all or part of nine favorite hymn tunes and gospel songs found in most hymnals. Each title is well known by many and is a reminiscent collection of tunes. The arrangement includes parts for many instrumentalists and can be used by woodwinds, strings or a mixture of both.
-
Song Without Words
Original, impressionistic composition that musically represents the classic “Peace of God.” Excellent for preludes or weddings.
-
Fairest Lord Jesus/I Surrender
This medley of two hymns is composed in a Mozartian style. The slow moving lines add to the elegance of the ornamentation. Flexible instrumentation is provided so that this composition may be played by a variety of instrument combinations.
-
Variations On Joy To The World
This arrangement was created for many instrumental combinations in the Rich Heffler tradition. Rich is an arranger for the U.S. Marine Band and creates ensembles that include some classical traditions as part of the setting. Different instruments c
-
To God Be The Glory/O Worship The King
Another Rich Heffler arrangement performed at the National Conventions of the CIDA (Christian Instrumentalists and Directors Association). Rich is an official arranger for the US Marine Band, and this setting shows his mastery of including classical
-
And Can It Be/It Is Well
Medley in a fugue style. All three parts of equal difficulty, and no part dominates the other. Professionals love this style.
-
-
Minuet II
This arrangement has been played at the Christian Instrumental Director’s National Conference by as many as 30 players. The setting comes with parts for all families of woodwinds. It is a true trio in form, but can be performed by many players in a
-
Trio Minuet
A classical minuet-style arrangement in the Mozart/Haydn tradition, this arrangement is flexible enough to be played also as a mixed instrumental ensemble using the substitute parts.
-
Higher Ground
Rich Heffler wrote this trio so he would have a piece that would work with any 3 woodwind instruments, or hugh conglomerations of woodwinds at National Music Conferences. His ideas has been tested, and it works. In your church or school ensembles, yo
-
I Know Whom I Have Believed
This setting is lighthearted, and reminiscent of the style of Scott Joplin.
-
Fairest Lord Jesus/I Surrender
Advanced classical style. Slow movement with ornamentation characteristics typical of the Classical period.
-
-
-
Open My Eyes
This arrangement uses some authentic Brahms material from the 2nd Symphony. Beautiful lines.
-
-
Open My Eyes
Combined with music from Brahms Second Symphony in the opening. The second section is more straight-forward of the tune itself where it moves to the thematic material of Brahms once again. The coda section is tranquil where it comes to a final rest.
-
Were You There
A Rich Heffler Music arrangement. This solo is presented in a reverent setting in a minor key. The middle section shifts momentarily to a major mode and then quickly back to a minor mode. The soloist is provided the opportunity to express with a fluid cadenza which gives way to a final statement of harmonic shifts coming to a solemn close.
-
-
O God, Our Help….Passacaglia /Fugue
Written in typical passacaglia (theme in the bass line) and Fugue fashion, the theme is presented in the piano. The first variation is a gently modified tune in duple with the accompaniment in triplets. In variation two, the tune is rhythmically altered while the upper accompaniment is presented in a spritely fashion. Variation three, the tune is in a triplet moving nature while the theme is in block harmonization in the accompaniment. Variation four is expressive in an almost cadenza fashion. Finally, the Fugue is in a lively four voice manner, ending with a strong proclamation of the title, itself.
-
Leaning On The Everlasting Arms
This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats back to the first section and proceeds to a Coda section- again, in a triplet format.