| Instrument | |
|---|---|
| Level | 2 |
| Occasion | |
| Theme | Take My Life, And Let It Be |
| Writer | |
| Publisher | |
| Copyright | 1994 |
Take My Life, And Let It Be
$24.95
Related products
-
Count Your Blessings
$9.00Be ye thankful! Written for standard woodwind quintet with optional parts, this piece is highly decorated melodically and active rhythmically. It gives both the sense of majesty and joy.
-
Christ Arose
$12.00Scored for traditional brass quintet, an optional bartione part can be used to expand the piece to a sextet. After an opening upper brass fanfare, the lower parts present the theme in solemn fashion with further extended fanfares from the upper lines. The middle section reverses the stylistic assignments only to be given back to the opening styles. The with a powerful stacking of parts the piece concludes in a triumphant chord.
-
-
How Firm A Foundation
$12.00Opening with a fanfare, the first section is in block harmonization with some moving lines. It then moves into melodic statements in the lower instruments with supported obiligatti in the trumpets and horn. The structure again becomes solid in scoring only to return with similar trumpet obbligati. The obbligati is next introduced in the lower voices and then increased rhythmic activity in all voices builds to a solid ending.
-
Spirit of God, Decend Upon My Heart
$10.00A standard brass quintet with optional trumpet for horn. The piece opens with a solo trumpet and gradually adds voices until it leads up to a modulation where the theme is now in the lower voices with gentle harmonic shifts. The upper voices respond with more motion until things are met with another modulation. This new section is more stayed until another modulation greets yet another modulation with the parts all intertwining amongst themselves and then… a solemn conclusion.
-
Lead On O King Eternal
$10.00A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The introduction uses extraneous material where it leads in the first theme by the trombone until the theme is passed around in fragments until the them is taken over by the trumpets, and the trombones. A modulation takes place where the theme is in the trombones with flourishes in the trumpets. The trumpets now take the theme with flourishes in the middle voices until the piece ends with a declamatory statement.
-
-
