A flute quartet which begins with a Q/A format and then breaks into a chordal structure with some gentle modifications. This format continues until it moves into a modulation where the piece once again uses a Q/A design- keeping the piece on the move. This flowing movement continues until it modulates into a section that is grand and declamatory. After some unctuated accompaniment the piece makes a final declamation then lies into repose.
This quartet is in a solemn legato style throughout featuring melodic materials in each of the four parts. It is graced with gently moving accompaniment lines that further enhances the reflective spirit which is so evident in this hymn. It peaks in different portions of the composition and then reflects itself in a quiet repose to end.
Score for four flutes the piece openings with a quasi round device and then establishes a more straight forward rendition of the tune. The final section becomes quite florid with intricately woven countrapuntal voicing.
Written for flute, oboe, clarinet or saxophone this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
Scored for three Bb clarinets and bass clarinet, this quartet immediately marches off with the dignity that this grand old hymn portrays. The theme is passed around amongst the various parts to add player satisfaction and joy to the listener.
Written for Clarinet quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.