A solo instrument with piano accompaniment? Can an arrangement capture the essence of the original with the majesty of full chorus and orchestra? This piece really does- it is amazingly complete!
This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning, with a solid statement of faith.
This flute solo begins with the piano playing a gentle motif of the theme and then joined in with the solo line playing the theme in a straight forward fashion. The theme is now stated in a modified manner while the soloist exudes a moving obbligato line which adds more excitement to the piece. The piece concludes with the latter section of the first section and then settles into a solemn repose.
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
This is a flute solo that begins in a flowing manner and quickly accelerates to a more technical rendition of the tune creating a delightful atmosphere of this grand old hymn. It is effervescent and uplifting.