Instrument | |
---|---|
Level | 3 |
Occasion | |
Theme | Blesseed Redeemer, Forever; I Will Sing of My Redeemer, I'm Fellin' Fine; Let Everything That Has Breath; Let Us Break Bread Together; My Savior's Love; Redeemed; Revive Us Again; Sunday School Jubilee |
Writer | |
Publisher |

Instrumental Solotrax, Vol XI Book
$18.99
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The Cross And Me
This flute solo is highly reflective in nature and incorparates the titles of :At The Cross”; “There’s Room At The Cross For Me”; “Beneath The Cross Of Jesus”. The piece is gentle and offers the opportunity far a great deal of expression. While there is embellishment of the lines they are done with taste.
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Tis So Sweet to Trust in Jesus
This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic. It will make the young performer sound more advanced.
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We Gather Together
This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme.
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My Jesus I Love Thee
This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.
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Young Flute Soloist
A solo collection with piano including: “Praise Him All Ye Little Children,” “Abide With Me,” “Dare To Be A Daniel,” “My Jesus I Love Thee,” “Away In A Manger,” “We Gather Together,” ” “Hallelujah! What A Saviour,” and “‘Tis So Sweet To Trust In Jesus.”
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Jesus Loves Me
This solo with piano is constructed in a rondo form alternating the tunes of Jesus Loves Me, Praise Him All Ye Little Children and Jesus Loves The Little Children. Each section of piece is in a different style thereby giving a great deal of variety technically and musically for the younger player.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
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I Wonder As I Wander
This solo is plaintive throughout as it begins with a simple melodic motive. The first verse is simply stated in the solo while supported with broken chords in the piano. The second verse is much like the first but the piano not supports the tune with gentle punctuations. The third verse is in the piano while the solo line produces a ebb and repose obbligato- the two line join together in a dramatic cadence and then settles down to a quite repose where the piano continues in a solemn flavor. The final statement in the solo is much like the first where it is joined with moving scale patterns in the piano. The two players sweep upward one last time to then settle down into solemnity.