| Instrument | |
|---|---|
| Level | 3 |
| Occasion | |
| Tune Name | |
| Theme | Jesus Loves Me, Praise Ye The Lord/Our Great Savior, Spirit of the Living God |
| Writer | |
| Composer | |
| Publisher | |
| Copyright | 1999 |
Classic Hymns For Strings, Vol. 1
$24.95
Related products
-
-
Be Thou My Vision
$9.00A woodwind quartett scored for flutes, clarinets, and other woodwind instruments, this piece presents itself in a gentle, thought provoking manner. The middle section is faster, giving a heightened sense of thought worthiness.
-
Holy, Holy, Holy
$9.00Written for flute, oboe, clarinet or saxophone this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
-
And Can It Be
$9.00Scored for three Bb clarinets and bass clarinet, this quartet immediately marches off with the dignity that this grand old hymn portrays. The theme is passed around amongst the various parts to add player satisfaction and joy to the listener.
-
God So Loved The World (unacc)
$8.00A unaccompanied flute quartet that begins with an extensive introduction with moving lines in all four parts. The next section is carried in the fourth part with counter lines in the upper parts. The interest then shifts to the upper parts with counterlines in the lower voices. The last section is carried by the upper line but is shifted around the various voices giving much interest to the piece and a sense of constant movement
-
Holy, Holy, Holy
$7.00Written for Clarinet quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
-
Tis So Sweet To Trust
$8.00A quartet for 2 flutes and 2 clarinets with opt. parts for oboe, B. clar., bassoon and Alto sax. After a brief introduction the flutes carry the melodic material and then shifting the chorus to the clarinets. A modulation shifts the attention to the clarinet melody with punctuation remarks in the other instruments. Further transition moves to another modulation where thematic motifs are passed around in a fughetta fashion where it then becomes more choral in nature ending in a solemn statement.
-
Holy, Holy, Holy (unacc)
$7.00A flute quartet which begins with a Q/A format and then breaks into a chordal structure with some gentle modifications. This format continues until it moves into a modulation where the piece once again uses a Q/A design- keeping the piece on the move. This flowing movement continues until it modulates into a section that is grand and declamatory. After some unctuated accompaniment the piece makes a final declamation then lies into repose.
