Balm In Gilead

An unaccompied flute duet that begins with imitative devices between the parts then moves to a nice duet treatment. The piece becomes more contrapuntalas it progresse and then breaks into a series of florishes. It then settles down into a pleasant duet harmy and movement.

Scored for two woodwind instruments with piano, the piece begins with a solo line and then adds the duet line. The ending section does much the same only with more rhythmic enhancement. An easy piece but gives opportunity for much expression.

An accompanied saxophone duet (2-Altos with opt. Tenor) duet which begins with a melodic motif and then presents the hymn tune in unison by the two parts. The chorus then breaks into a duet harmonization in a straight forward manner. The next section presents the first part in a melodically altered rendition with the second part answering in an obbligato like fashion. The middle section is a Q&A form with the piano dropping out, followed by a piano solo section. A modulation now gives rise to the second part acting as a solo, followed by another modulation where the first takes over as a soloist. Then another modulation where the two parts present the chorus in a straight duet section., where it remains until the end.