SMS: An accompanied violin solo After a brief introduction in a different meter than originally composed the solo begins with a modified melody support by a rich harmonic palette in the piano. The second section continues in much the same manner with a melody that’s almost emblematic of an obbligato but keeps in character of the original tune. The Codetta section sets a tone of sweetness.

This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.

Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.

Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.

Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.

Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.

Unusual, emotive and restrained version of the Luther classic The introduction in the piano is presented in an embellished fashion. The solo states the theme in a straight-forward manner. After a brief interlude the solo continues in a different register. Another brief interlude and the soloist continue in a more ornamented manner this time. The piano now states the theme in strong block chords while the solo is very active as an obbligato. Both voices present thematic materials taken from the opening sections. The Coda gives a motivic statement of the opening theme and resolves to a solemn end.

This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.

This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.

This is a level three solo with piano accompaniment that exudes majesty, tenderness and elegance all at the same time. While it abounds with melodic embellishment the song itself is never lost in the mix. It is simply delightful from beginning to end. It will make a service, concert or contest enhanced because of its presentation.

This is a level three solo with piano accompaniment that exudes majesty, tenderness and elegance all at the same time. While it abounds with melodic embellishment the song itself is never lost in the mix. It is simply delightful from beginning to end. It will make a service, concert or contest enhanced because of its presentation.