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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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Heavenly Visions
Based on Revelation 21:1-3 “And I saw a new heaven and a new earth…And I heard a great voice out of heaven saying…” This work is in a fast –slow- fast form and features the percussion section as well as several different wind instruments playing short solos. The composition begins with a fast, exciting fervor that gives way to a more melodic (then contrapuntal) middle section. After a slight pause the excitement begins again with a variation of the opening section which builds to a very climatic ending. An original work.
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Worship The Christ Child
An original work in a slow legato style that begins softly and slowly builds to a climax. A simple melody and an infectious motif are accompanied by a beautiful chord progression with interesting inner voice movements, Almost every section of the band (including solo trumpet) get an opportunity to shine before the final chord
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Parts- Men OF Faith Specify)
see 181911 From Handel’s 1746 opera, Judas Maccabaeus this familiar hymn has survived even though the opera has not. It is found in many hymnals as This Is The Glory Risen, Conq’ring Son. Active percussion helps define the strong martial character. In (Eb) and (F.)
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Men Of Faith
This Concert March was inspired by the Eleventh Chapter of Hebrews that says “By faith…” these great men (and women) of the Bible were able to accomplish all that God had for them to do. This work features a snare drum solo and is scored for various sections of the band to play the melody at one time or another. It begins in the concert key of Eb and then changes to Ab and ends in F. It is very playable with some repetitious syncopated rhythms and a simple melody that will help build your faith.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.The arrangement is edited with bowing and fingering marks.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.The arrangement is edited with bowing and fingering marks.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.The arrangement is edited with bowing and fingering marks.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.The arrangement is edited with bowing and fingering
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Jacob’s Dream
A percussion quintet that is accessible for younger players uses several basic instruments. The original melody is present by the bells throughout with various percussive colors by the other instruments. The middle section is a rhythmic break up acting as a contrast to the earlier section. The final section goes back to the design of the first section with more accompanying activity in the non-tonal instruments. The coda section crescendos to an exciting conclusion.