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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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Heavenly Visions
Based on Revelation 21:1-3 “And I saw a new heaven and a new earth…And I heard a great voice out of heaven saying…” This work is in a fast –slow- fast form and features the percussion section as well as several different wind instruments playing short solos. The composition begins with a fast, exciting fervor that gives way to a more melodic (then contrapuntal) middle section. After a slight pause the excitement begins again with a variation of the opening section which builds to a very climatic ending. An original work.
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Worship The Christ Child
An original work in a slow legato style that begins softly and slowly builds to a climax. A simple melody and an infectious motif are accompanied by a beautiful chord progression with interesting inner voice movements, Almost every section of the band (including solo trumpet) get an opportunity to shine before the final chord
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Parts- Men OF Faith Specify)
see 181911 From Handel’s 1746 opera, Judas Maccabaeus this familiar hymn has survived even though the opera has not. It is found in many hymnals as This Is The Glory Risen, Conq’ring Son. Active percussion helps define the strong martial character. In (Eb) and (F.)
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Men Of Faith
This Concert March was inspired by the Eleventh Chapter of Hebrews that says “By faith…” these great men (and women) of the Bible were able to accomplish all that God had for them to do. This work features a snare drum solo and is scored for various sections of the band to play the melody at one time or another. It begins in the concert key of Eb and then changes to Ab and ends in F. It is very playable with some repetitious syncopated rhythms and a simple melody that will help build your faith.
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David And Goliath
A programmatic piece those young bands will enjoy. The percussion section opens this work with a ringing introduction that gives way to the low brass and woodwinds and eventually the rest of the band. The opening slow section builds with intensity and finally pauses before the percussion section begins the Allegro tempo which drives to a rousing climax. The piece then quickly relaxes just before a short, fast ending. A descriptive piece where you can feel the battle engaged; the stone making its mark; and David is the victor!
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Children’s Hymn (Jesus Loves Me)
Children’s Hymn begins with all metallic percussion sounds (Sus. Cym., Trgl., & Bells) and flutes. Other sections of the band are gradually added until all instruments are playing. The melody is passed around to various instruments and the chorus is played tutti. The work ends the way it began with all metallic percussion and flutes.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.The arrangement is edited with bowing and fingering marks.