-
I Walk With The King
$9.95This unaccompanied flute quartet is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. There is a three page score and an individual part for each player. The arrangement provides an interesting development in the use of 6/8 rhythmic patterns. Special attention will need to be taken to get the interesting rhythmic patterns to fit within the 6/8 feel of the arrangement.
-
Count Your Blessings
$9.95This unaccompanied flute quartet is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This bright arrangement of the hymn tune has proved to be very accessible and popular as a first quartet. There is a four page score and an individual part for each player. The arrangement is in a traditional ABA form with a bright A section contrasted by a lilting B section with almost a feel of one beat per measure. The arrangement returns to the
bright A section which builds to the climatic ending. -
Come Thou Almighty King
$7.95This unaccompanied flute trio is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement of the hymn tune will provide an interesting variation passing the melody between the flutes with contrasting harmonies after the offset entrances. There is a two page score and a part for each player.
-
This Is My Father’s World
$4.95This flute solo with piano accompaniment is based on this classic hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. The simpler variations to the hymns tune make this usable by developing players.
this classic hymn tune. The arrangement is from the
teaching files of Monty Budahl and is useful for vesper,
offertory, and special. The simpler variations to the
hymns tune make this usable by developing players. -
Pass Me Not
$4.95This flute solo with piano accompaniment is based on a traditional gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement of the hymn tune will provide an interesting variation in playing styles for the intermediate player.
-
Jesus Savior, Pilot Me
$4.95This flute solo with piano accompaniment is based on a nautical themed gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.
nautical themed gospel song. The arrangement is from
the teaching files of Monty Budahl and is useful for
vesper, offertory, and special. -
Jesus Is Coming Again
$4.95This flute solo with piano accompaniment is based on this Joyful hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. The variations to the hymn tune will provide an interesting challenge to the intermediate player.
this Joyful hymn tune. The arrangement is from the
teaching files of Monty Budahl and is useful for vesper,
offertory, and special. The variations to the hymn tune
will provide an interesting challenge to the intermediate
player. -
Harbored In Jesus
$4.95This flute solo with piano accompaniment is based on a nautical themed gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This simple arrangement of the hymn tune will provide an interesting challenge for the developing player. The simpler variations with the longer length make this arrangement very useable as an offertory by a developing player.
nautical themed gospel song. The arrangement is from
the teaching files of Monty Budahl and is useful for
vesper, offertory, and special. This simple arrangement
of the hymn tune will provide an interesting challenge
for the developing player. The simpler variations with
the longer length make this arrangement very useable
as an offertory by a developing player. -
What A Friend
$4.00A solo that begins with a brief introduction in the piano. The soloists then presents the tune in a straight-forward rendition. The second section presents the tune in the piano while the soloist overlays with a gentle obligato. The third section goes back to the melody briefly and then shifts back to the obligato and then settles into a final repose.
-
Come Ye That Love the Lord
$7.00A brass quartet for two trumpets and two trombones with opt. parts for Fr. Horn and Baritone TC. The pieces begins with canonic entrances and then increases in activity. The first thematic statement is stately in a block harmonic structure. The parts then state the tune with others in an ornamental addition. A modulation takes place and the first tombone/horn states the theme while the others portray soft bell-tone like accompniment. A spirited entrance from low voices to higher in a fugal format coming to a final, majestic Coda marking a strong ending.
-
Saints Bound For Heaven
$7.00A brass quartet for two trumpets, horn, trombone/baritone (BC & TC) in cut-time. The introduction is based on thematic material in a Q&A format between the trumpet and trombone. The style is in a spritely march galop giving an never-ending sense of motion. The second section passes the motives between parts giving continued activity leading up to a transition and modulation. The third section is simple but expansive until it settles down to a sense of destination and then a quick conclusion.
-
Jesus Paid It All
$7.00A brass quartet scored for two trumpets and two trombones with optional horn and baritone parts. The piece is in some ways simplistic and at the same time quite profound. The first section is somewhat gentle with subtle countrapuntal movement. The second section is more declamatory and then comes to a quiet repose.
-
Come Thou Fount
$7.00A brass quartet for two trumpets and two trombones with opt. Fr. Horn and Baritone Treble Clef. It begins in unison and then breaks into four part harmony- all in a majestic style, continuing in that manner throughout the first verse. The second verse is a duet between the first trumpet and trombone. The next statement passes the tune around the various parts gaining in excitement. The final section is more solemn and then enhanced with bell-tone figures. The Coda is in a majestic conclusion.
-
-
Leaning On The Everlasting Arms
$9.00This trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feeling) in block harmonization and then goes into a bell-tone rendition of the tune. A brief transition in a slower, expressive style comes to repose where it concludes in the joyful style that the piece began.
-
-
Power in the Blood
$8.00This trumpet trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
-
Leaning On The Everlasting Arms
$9.00This trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feeling) in block harmonization and then goes into a bell-tone rendition of the tune. A brief transition in a slower, expressive style comes to repose where it concludes in the joyful style that the piece began.
-
Power in the Blood
$6.00This trumpet duet with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
-
What A Friend
$5.00A duet for clarinet and saxophone that begins with a brief introduction in the piano. The clarinet then presents the tune in a straight-forward rendition with the saxophone supporting with a moving harmonization ending with a melodic line. The second section presents the tune in the saxophone while the clarinet overlays with a gentle obligato. The third section goes back to the structure of the beginning briefly and then shifts back to the obligato addition and then settles into a final repose.
-
What A Friend
$5.00A duet for flute and clarinet that begins with a brief introduction in the piano. The flute then presents the tune in a straight-forward rendition with the clarinet supporting with a moving harmonization ending with a melodic line. The second section presents the tune in the claeint while the flute overlays with a gentle obligato. The third section goes back to the structure of the beginning briefly and then shifts back to the obligato addition and then settles into a final repose.
-
Power in the Blood
$8.00This saxophone trio with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
-
Leaning On The Everlasting Arms
$9.00This trio begins with a joyful piano introduction which leads into a three part harmonization of the instrumental parts. The second section is a lilting (waltz feeling) in block harmonization and then goes into a bell-tone rendition of the tune. A brief transition in a slower, expressive style comes to repose where it concludes in the joyful style that the piece began.
-
Power in the Blood
$6.00This saxophone duet with piano accompaniment is presented in a solid, determined manner. It makes a definitive statement in the “Power in the Blood” of Christ. The middle section changes meter while maintaining the character of the opening.
-
No Not One
$6.00This saxophone duet is presented in a rather simple two part fashion. Subsequent verses engage contrapuntal diversity of the melody line versus the harmony. A stirring rendition for any venue.
