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Maj. Christmas Solos-Flute, Vol. 3
A collection for flute and piano including arrangements on “Coventry Carol,” “Lo, How a Rose E’er Blooming,” and “It Came Upon a Midnight Clear.” These pieces are somewhat straight forward with a reasonable amount of embellishment to give excitement in the performance.
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Maj. Christmas Solos-Flute, Vol. 2
A collection for flute and piano including arrangements on “O Come, O Come Immanuel,” “Infant Holy, Infant Lowly,” and “Angels We Have Heard On High.” All three pieces are highly embellished with flourishes that add much excitement. The accomplished flutist will feel much satisfaction from playing these pieces as well as the listener in hearing them.
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Maj. Christmas Solos-Flute, Vol. 1
A collection for flute and piano including arrangements on “Away In A Manger,” “O Holy Night,” and What Child Is This?” All three arrangements are somewhat solemn in nature with melodic enhancements to add interest. “What Child Is This?” is the more active piece of the three…
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Majestic Flute Solos, Vol. 3
A suite of three accompanied flutes including: “Immortal, Invisible” a flourish of joy and action ending with a sense of serenity; “Showers Of Blessing” a technical workout of exuberance; “Come Thou Fount” an ornamented rendition of the tune with a middle section or greater simlicity and then a return to the action of the beginning.
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Majestic Flute Solos, Vol. 1
A suite of three accompanied flutes including: “My Faith Has Found a Resting Place” in a vigorous and bouyant manner; “Brethren, We Have Met To Worship,” in a somber and plaintive fashion: and’ “All For Jesus, All For Jesus” in a thoughtful, then joyous presentation of exuberance!
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Christmas Chorale Prelude & Fugue
Written in a chorale fugue style (alla J.S. Bach), this two-part work is based on the old Scandinavian carol How Brightly Shines The Morning Star. The first section features the woodwinds with an interesting obligato over the brass theme. The entire fugue section is built over the augmented bass theme, making this a true “chorale fugue.”
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Fantasia On Traditional Carols
A free formed overture with contrasting sections weaving through: The First Noel, Hark The Herald Angels, It Came Upon A Midnight Clear, We Three Kings,
God Rest You Merry Gentlemen, Away In A Manger, and Joy To The World, concluding with a powerful ending. -
Hymns On Parade
Twenty-two hymns are showcased in “Hymns Of Parade”- but don’t tell your audience. Let them guess what the hymns are, and how many are included. Numerous changes of accessible keys and time signatures will keep band members on their toes. This is sure to be a crowd pleaser.
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The Joy Of Christmas
“The Joy Of Christmas” very cleverly integrates O Come O Come Immanuel and God Rest Ye Merry Gentlemen. In D Minor and F Minor, the tempo indications are Allegretto, Allegro and Grandioso. A contrapuntal treatment is used for solo flute, clarinet and alto sax with percussion accompaniment. A compelling ending.