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The Trumpet Shall Sound- Aria
Taken from the “Messiah”, this duet (trpt. and tromb.-opt bar/tuba) with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment allows for great flavor.
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And the Glory of the Lord
2 tpts, horn, tbn, tbn/tuba (tpt sub. for horn) MESSIAH FOR BRASS SERIES
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But Whom May Abide The Day…
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. It features sufficient counterpoint between the various instruments.
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Pastoral Symphony
An accompanied violin duet taken from Handel’s Messiah. After a two measure introduction the violins (in duet form) present the tune in simple form with occasional trills. It starts softly and builds climatically and progresses back to soft stages where it goes back to the beginning and jumps to a abbreviated coda.
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O Thou That Tellest G/Tid’gs
Taken from the “Messiah”, this brass quintet is essentially a transcription of the original work. It features sufficient counterpoint between the various instruments.
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And He Shall Purify
Taken from the “Messiah”, this brass quintet is essentially a transcription of the original work. It features sufficient counterpoint between the various instruments.
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And With His Stripes
Taken from the “Messiah”, this brass quintet is essentially a transcription of the original work. It features sufficient counterpoint between the various instruments.
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But Whom May Abide The Day…
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. It features sufficient counterpoint between the various instruments.
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But Whom May Abide The Day…
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. It features sufficient counterpoint between the various instruments.
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Rejoice Greatly Ye Daughters of Zion
Taken from the “Messiah”, this trumpet solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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But Whom May Abide The Day…
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. It features sufficient counterpoint between the various instruments.
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Rejoice Greatly Ye Daughters of Zion
Taken from the “Messiah”, this tenor sax solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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How Beautiful Are The Feet
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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Rejoice Greatly Ye Daughters of Zion
Taken from the “Messiah”, this alto sax solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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How Beautiful Are The Feet
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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Rejoice Greatly Ye Daughters of Zion
Taken from the “Messiah”, this clarinet solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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How Beautiful Are The Feet
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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Rejoice Greatly Ye Daughters of Zion
Taken from the “Messiah”, this bassoon solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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But Whom May Abide The Day…
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. It features sufficient counterpoint between the various instruments.
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Rejoice Greatly Ye Daughters of Zion
Taken from the “Messiah”, this oboe solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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How Beautiful Are The Feet
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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Rejoice Greatly Ye Daughters of Zion
Taken from the “Messiah”, this flute solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..
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How Beautiful Are The Feet
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..