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Higher Ground
Rich Heffler wrote this trio so he would have a piece that would work with any 3 woodwind instruments, or hugh conglomerations of woodwinds at National Music Conferences. His ideas has been tested, and it works. In your church or school ensembles, yo
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Higher Ground
Rich Heffler wrote this trio so he would have a piece that would work with any 3 woodwind instruments, or hugh conglomerations of woodwinds at National Music Conferences. His ideas has been tested, and it works. In your church or school ensembles, yo
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Higher Ground
Rich Heffler wrote this trio so he would have a piece that would work with any 3 woodwind instruments, or hugh conglomerations of woodwinds at National Music Conferences. His ideas has been tested, and it works. In your church or school ensembles, yo
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Higher Ground
Vitality is the word that describes the activity of the string quartet in the whole opening section. It then moves to expressive, imitative devices in the middle section where it leads to a finale even more vigorous than the beginning.
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Higher Ground
A rather jovial introduction is begun by the piano and then joined in by the soloist stating the melody’s verse and then the chorus in a modified form. The second verse is presented in a pleasing way underpinned by the piano using a harp-like accompaniment. And once again, the chorus is presented in a even more modified way. The coda section continues with the flavor of the piece in a motivic manner and then arrives to the final destination in repose.
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Higher Ground
A rather jovial introduction is begun by the piano and then joined in by the soloist stating the melody’s verse and then the chorus in a modified form. The second verse is presented in a pleasing way underpinned by the piano using a harp-like accompaniment. And once again, the chorus is presented in a even more modified way. The coda section continues with the flavor of the piece in a motivic manner and then arrives to the final destination in repose.
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Higher Ground
A rather jovial introduction is begun by the piano and then joined in by the soloist stating the melody’s verse and then the chorus in a modified form. The second verse is presented in a pleasing way underpinned by the piano using a harp-like accompaniment. And once again, the chorus is presented in a even more modified way. The coda section continues with the flavor of the piece in a motivic manner and then arrives to the final destination in repose.
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Higher Ground
A rather jovial introduction is begun by the piano and then joined in by the soloist stating the melody’s verse and then the chorus in a modified form. The second verse is presented in a pleasing way underpinned by the piano using a harp-like accompaniment. And once again, the chorus is presented in a even more modified way. The coda section continues with the flavor of the piece in a motivic manner and then arrives to the final destination in repose.