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Savior, Like A Shepherd Lead Us
Scored for trumpet, horn, trombone and piano with optional parts for trumpet and baritone the piece moves along in a rather unpretentious manner with thematic material passed around between the brass voices.The piece settles down in to a final rest.
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Savior, Like A Shepherd Lead Us
This traditional hymn is appropriate to play any time of the church year and features an inspiring melody, independent lines and contrasting dynamics throughout.
Brass Quintet (2 Trp, Hrn, 2 Tbn – Tba will enhance Tbn 2 opt- A Sx for Hrn as needed) -
Savior, Like A Shepherd Lead Us
This traditional hymn is appropriate to play any time of the church year and features an inspiring melody, independent lines and contrasting dynamics throughout.
Saxophone Quintet (2 A Sx, 2 T Sx, Bari Sx) -
Savior, Like A Shepherd Lead Us
(cl/tp, hn/asx/trb, 2 vln, vla/ce, ce; piano or synthesizer may be sub for strings)
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Saviour Like A Shepherd
This cello solo begins with a simply stated introduction in the piano with the solo line presented verbatim, the original tune. The middle section melody is in the piano with the soloist giving a lilting countermelody making for a pleasing interaction of the two parts. The third section reverts back to the structure of the opening concluding with richer harmonies and settling with a solid statement in the solo while support with a motivic statement in the piano.
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Saviour Like A Shepherd
This viola solo begins with a simply stated introduction in the piano with the solo line presented verbatim, the original tune. The middle section melody is in the piano with the soloist giving a lilting countermelody making for a pleasing interaction of the two parts. The third section reverts back to the structure of the opening concluding with richer harmonies and settling with a solid statement in the solo while support with a motivic statement in the piano.
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Saviour Like A Shepherd
This violin solo begins with a simply stated introduction in the piano with the solo line presented verbatim, the original tune. The middle section melody is in the piano with the soloist giving a lilting countermelody making for a pleasing interaction of the two parts. The third section reverts back to the structure of the opening concluding with richer harmonies and settling with a solid statement in the solo while support with a motivic statement in the piano.
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Saviour Like A Shepherd
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.