| Instrument | |
|---|---|
| Level | 3 |
| Occasion | |
| Tune Name | |
| Theme | Savior, Like A Shepherd Lead Us |
| Hymn First Line | Savior, like a shepherd lead us |
| Writer | |
| Composer | |
| Publisher | |
| Copyright | 1997 |
Savior, Like A Shepherd Lead Us
$9.95
Flute trios 1,2, fl, 3rd/ flclar; (acc)
Related products
-
-
-
I Know Whom I Have Believed
$8.00“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.
-
I Know Whom I Have Believed
$8.00“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.
-
Redeemed
$7.00A clarinet trio that expresses the joy of redemption through melodic embellishment, some trills, and harmonic changes. The hymn tune, “Redeemed”, is passed around amongst the parts of this unaccompanied trio.
-
In The Garden
$7.00This trio for Easter renders a simple and gentle movement that is continually flowing with contrapuntal lines that exudes wonderment- truly a piece that causes reflection. There is activity in each of the parts and the melodic material is passed around for interest. If you want a piece for reflection this might well be the piece for you.
-
Praise Him, Praise Him (unacc)
$7.00A woodwind trio for flute; unaccompanied. Like a stately march the introduction uses a motif gravitating through several harmonic changes giving way to a modified thematic presentation with all three parts being in active counterpoint,and the tune passed about all the parts. The tune then moves about in a hocket fashion keeping all parts busy. The final section is somewhat in keeping with the first section coming to a solid “Praise Him” conclusion.
-
Victory Through Grace
$7.00An unaccompanied saxophone trio for three altos (and optional tenor sax) part. The introduction is based on a exuberant motive that leads into the first section which is a straight-forward melody with straight-forward harmonic support. This leads into the next section which gravitates to a different meter as well as key. The parts interplay giving a sense of constant movement. Another modulation takes place and the mood is one of victory and solidification. This continues until a triumphant motive of celebration and victory.
