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Tis So Sweet to Trust in Jesus
This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic.It will make the young performer sound more advanced.
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Hallelujah! What A Saviour!
This solo with piano follows a simple theme and variation form. It gives the young soloist the opportunity to play many styles in a short framework.
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Away In A Manger
This solo with piano begins with the portrayal of a pastoral setting. The arrangement incorporates both “Flow Gently Sweet Afton” and “Luther’s Hymn”.
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We Gather Together
This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme.
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My Jesus I Love Thee
This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.
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Abide With Me
This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest.
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Dare To Be A Daniel
This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails.
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Praise Him All Ye Little Children
This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning, with a solid statement of faith.
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For The Beauty Of The Earth
This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.
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Holy, Holy, Holy
This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.
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And Can It Be
Scored for three Bb clarinets and bass clarinet, this quartet immediately marches off with the dignity that this grand old hymn portrays. The theme is passed around amongst the various parts to add player satisfaction and joy to the listener.
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Holy, Holy, Holy
Written for Clarinet quartet, this pieces creates a solemn presence by the way it interweaves the various parts together. It would work well for a meditation.
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In The Garden
This trio for Easter renders a simple and gentle movement that is continually flowing with tontrapuntal lines that exudes wonderment- truly a piece that causes reflection. There is activity in each of the parts and the melodic material is passed around for interest. If you want a piece for reflection this might well be the piece for you.
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Redeemed
A clarinet trio that expresses the joy of redemption through melodic embellishment, some trills, and harmonic changes. The hymn tune, “Redeemed”, is passed around amongst the parts of this unaccompanied trio.
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As The Deer
This clarinet arrangement of As The Deer is a gentle interplay of parts and gives the sensation of a constant flowing steam of water that offers a background for quiet reflection.
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A Servant’s Heart
A clarinet trio with piano accompaniment that is gentle smoothly moving that carries a lyrical flavor throughout. On occasion there are brief alterations of the melody to add variety and movement. A good piece for tender moments.
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The Love Of God
This trio begins with a simple rendition of the melody supported by the lower voices and then goes into light imitation of the melodic motifs. The second statement passes the tune around the parts with brief embellishment by the remaining parts and then concludes on a strong chord with piano under-pining.
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I Know Whom I Have Believed
“I Know Whom I Have Believed” starts out in a manner of joyful confidence. The parts are in basic triadic harmony and then offer solo lines for the various parts. The piece concludes with a sense of strong confidence that the hymn portrays.
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Just Over In The Glory Land
After a short piano introduction, the first part introduces the tune as a solo and then joined in with the others parts as decorations leading up to traditional harmonic movement. The second section alternates between parts in a duet fashion and then breaks into a full trio presentation. With a final flourish the pieces concludes.
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Away In A Manger
For three like instruments, accompanied by piano, the piece is largely homophonic in nature. There are various phrases that are rhythmically altered for interest-active, yet sublime.