This clarinet solo is highly reflective in nature and incorparates the titles of :At The Cross”; “There’s Room At The Cross For Me”; “Beneath The Cross Of Jesus”. The piece is gentle and offers the opportunity far a great deal of expression. While there is embellishment of the lines they are done with taste.

An accompanied clarinet solo that includes the hymns, “Jesus Led Me All The Way,” and “All the Way My Savior Leads Me.” After a brief intro of “All The Way…” the soloist enters with “Jesus Led…” in a straight forward manner. Then a brief interlude the solo ist then presents “All The Way…” in a new key- much the same manner as the first tune. The Coda section is based on “Jesus Led…” in a more altered and varied manner and then comes to a sweet ending.

This clarinet solo begins with the piano playing a gentle motif of the theme and then joined in with the solo line playing the theme in a straight forward fashion. The theme is now stated in a modified manner while the soloist exudes a moving obbligato line which adds more excitement to the piece. The piece concludes with the latter section of the first section and then settles into a solemn repose.

This solo with piano is constructed in a rondo form alternating the tunes of Jesus Loves Me, Praise Him All Ye Little Children and Jesus Loves The Little Children. Each section of piece is in a different style thereby giving a great deal of variety technically and musically for the younger player.

A solo collection with piano including: “Praise Him All Ye Little Children,” “Abide With Me,” “Dare To Be A Daniel,” “My Jesus I Love Thee,” “Away In A Manger,” “We Gather Together,” ” “Hallelujah! What A Saviour,” and “‘Tis So Sweet To Trust In Jesus.”

This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic.It will make the young performer sound more advanced.

This solo with piano makes a straight forward statement of the tune followed by a contrasting section using a new counter melody. It then returns to the opening theme.

This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.

This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest.

This solo with piano begins with a simple statement of the tune with a middle section that uses motivic design, only to return to the opening statement.

This solo with piano is straight forward in design, giving the young player the opportunity to display dynamic and stylistic variety.

Taken from the “Messiah”, this bassoon solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..

This bassoon solo is highly reflective in nature and incorparates the titles of :At The Cross”; “There’s Room At The Cross For Me”; “Beneath The Cross Of Jesus”. The piece is gentle and offers the opportunity far a great deal of expression. While there is embellishment of the lines they are done with taste.

This piece would serve well as a meditation. Beginning with a quiet Celtic lilt, the center section is stronger and bolder. After several bell effects, the piece returns to the mood of the beginning.

Taken from the “Messiah”, this oboe solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..