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Jesus Loves Me
An unaccompanied flute trio with optional third clarinet, is highly pensive from beginning to end. All three parts have equal activity and varies continually dynamically and tempo-wise. While simplistic over-all the piece gives opportunity for a lot of sensitive expression.
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Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
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Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
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Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
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Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
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Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
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Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
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Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
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Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
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Come, Ye Sinners, Poor and Needy
Emotive setting of the early American classic. The opening is plaintive in the piano and then joined in with a counter-tune where it then presents the theme in a straight-forward manner. The next section uses the counter-theme again and then presents the theme in an embellished manner. Again the counter-theme is present followed by the embellished theme. After a brief interlude the piece picks up again with the counter-theme where it slowly and quietly settles in repose.
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Abba, Father
This song by Ron Hamilton is beautifully arranged in a mild manner where the brass parts are presented in soloist fashions, imitative motives and full chordal movements. The piano serves to give movement and embellishment- all in all, a delightfully meditative piece.
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Day By Day (acc)
After a gentle harmonic movement in the piano the cello takes over with a warmly expressived rendition of the verse. For a brief moment the theme is given to the violin and then aswered by the cello. This intereaction contues throughout the
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Arise, My Soul Arise
A Tuba solo that opens with a simple, dignified and militant style! The middle section is more delicate with the theme embellished to give a sense of bouyancy then migrating over to a more flowing and uplifting feeling. The final section begins lower and then starts its rising to a powerful statement of “having arrived!”
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Arise, My Soul Arise
A Trombone solo that opens with a simple, dignified and militant style! The middle section is more delicate with the theme embellished to give a sense of bouyancy then migrating over to a more flowing and uplifting feeling. The final section begins lower and then starts its rising to a powerful statement of “having arrived!”
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Arise, My Soul Arise
A French solo that opens with a simple, dignified and militant style! The middle section is more delicate with the theme embellished to give a sense of bouyancy then migrating over to a more flowing and uplifting feeling. The final section begins lower and then starts its rising to a powerful statement of “having arrived!”
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Arise, My Soul Arise
A Trumpet solo that opens with a simple, dignified and militant style! The middle section is more delicate with the theme embellished to give a sense of bouyancy then migrating over to a more flowing and uplifting feeling. The final section begins lower and then starts its rising to a powerful statement of “having arrived!”
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Look, Ye Saints! The Sight Is Glorious
This tenor saxophone piece is sheer delight from beginning to finish. It takes the basic hymn and embellishes the tune in such a way that gives it a whole new flavor. It incorporates scale and arpeggiate movements along with some trills to enhance the exciement. Look! Listen! Play! It is a glorious piece!
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Look, Ye Saints! The Sight Is Glorious
This alto saxophone piece is sheer delight from beginning to finish. It takes the basic hymn and embellishes the tune in such a way that gives it a whole new flavor. It incorporates scale and arpeggiate movements along with some trills to enhance the exciement. Look! Listen! Play! It is a glorious piece!
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Look, Ye Saints! The Sight Is Glorious
This clarinet piece is sheer delight from beginning to finish. It takes the basic hymn and embellishes the tune in such a way that gives it a whole new flavor. It incorporates scale and arpeggiate movements along with some trills to enhance the exciement. Look! Listen! Play! It is a glorious piece!
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Look, Ye Saints! The Sight Is Glorious
This bassoon piece is sheer delight from beginning to finish. It takes the basic hymn and embellishes the tune in such a way that gives it a whole new flavor. It incorporates scale and arpeggiate movements along with some trills to enhance the exciement. Look! Listen! Play! It is a glorious piece!
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Look, Ye Saints! The Sight Is Glorious
This oboe piece is sheer delight from beginning to finish. It takes the basic hymn and embellishes the tune in such a way that gives it a whole new flavor. It incorporates scale and arpeggiate movements along with some trills to enhance the exciement. Look! Listen! Play! It is a glorious piece!
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Look, Ye Saints! The Sight Is Glorious
This flute piece is sheer delight from beginning to finish. It takes the basic hymn and embellishes the tune in such a way that gives it a whole new flavor. It incorporates scale and arpeggiate movements along with some trills to enhance the exciement. Look! Listen! Play! It is a glorious piece!
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