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Christ The Lord Is Risen Today (Solo Eb/F)
The great Charles Wesley hymn Christ the Lord is Risen Today has here been set as a solo for instrument in E-flat or F with ensemble accompaniment by Andrew Wainwright. The hymn is widely considered as the most definitive church anthem for Easter, celebrating the resurrection of Jesus.
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Christ The Lord Is Risen Today (Solo Eb/F)
The great Charles Wesley hymn Christ the Lord is Risen Today has here been set as a solo for instrument in E-flat or F with ensemble accompaniment by Andrew Wainwright. The hymn is widely considered as the most definitive church anthem for Easter, celebrating the resurrection of Jesus.
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In The Garden (opt duet)
A solo instrument with piano accompaniment? Provided with an optional second part for a duet.
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Jesus Paid It All (Solo/duet for Bb, C, BC)
Elvina Hall (1820-1889) conceived the words to “Jesus Paid It All” during a church service. As her mind wondered to thoughts of the price Jesus paid for our salvation, the words came to her. Having no paper to write the words down, she wrote these words in the flyleaf of her hymnbook:…
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O Come To The Altar
This popular worship song by the group Elevation Worship topped the charts in 2017 and is still widely sung around the world. The song is something of a modern-day paraphrase of the classic gospel song “Softly and Tenderly, Jesus Is Calling,” and this arrangement interweaves fragments of that melody with the melody of the newer song. The bridge of the song leaves for a moment the invitational quality of the text and breaks into a paean of pure praise – “O what a Savior, isn’t He wonderful? Sing alleluia, Christ is risen!” – making the arrangement particularly useful in the Easter season.
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Christ Arose
This French horn solo opens with a sense of an early morning awakening and then breaks into a gently modified rendition of the tune. The second section becomes more spirited with a sense of expectation and then settles back down into the mood of the opening, only to become enlivened again. The final section recaps the material from earlier sections and then ends with a statement of victory!
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In The Garden
This duet comes with a mix of parts for woodwinds and/or strings and can be used in most any combination. The melodic material is traded between the duet parts and other times presented in a sweet duet aria-like mode. It ends with a quiet repose.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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I Will Sing Of My Redeemer
A Rich Heffler Music arrangement. The piece is in Irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.
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O Sacred Head, Now Wounded
For full orchestra a poinant and touching rendition of this time-proven hymn. The arrangement paints a vivid picture of the cross.
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Flee As A Bird
The early 19th century song “Flee As A Bird” combined with music from Beethoven’s “Moonlight” Sonata
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O Sacred Head, Now Wounded
This duet comes with a mix of parts for woodwinds and/or strings and can be used in most any combination. The piece begins with a modified melody in the piano only to be joined by the duet lines in response. The piece progresses with a statement and response style between the two duet lines. This coniues in this maner until the ending section where the parts move in tandem with duet harmonies.
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O Sacred Head, Now Wounded
This duet comes with a mix of parts for woodwinds and/or strings and can be used in most any combination. The piece begins with a modified melody in the piano only to be joined by the duet lines in response. The piece progresses with a statement and response style between the two duet lines. This coniues in this maner until the ending section where the parts move in tandem with duet harmonies.
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Christ The Lord Is Risen Today
This is a hymn that is typically portrayed in a stately and somewhat more reserved fashion, but this arrangement exudes a sense of joy. The theme alternates back and forth between solid ensemble harmonic structures to other times of imitation and motivic snatches. Again, the whole flavor of the piece is one of exuberance – as to the thought of the text itself.
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Christ The Lord Is Risen Today
This is a hymn that is typically portrayed in a stately and somewhat more reserved fashion, but this arrangement exudes a sense of joy. The theme alternates back and forth between solid ensemble harmonic structures to other times of imitation and motivic snatches. Again, the whole flavor of the piece is one of exuberance – as to the thought of the text itself.
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O Sacred Head, Now Wounded
For two woodwind or string instrument a poinant and touching rendition of this time-proven hymn. The arrangement paints a vivid picture of the cross.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.
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O Sacred Head, Now Wounded
A Rich Heffler Music arrangement. The piano begins the piece with a flowing and tranquil statement. The solo joins in with a gentle fragment further setting up a poignant picture. It then breaks into the tune in a rather matter-of-fact manner and then adds more embellishment as it progresses. The middle section is extended to give a solemn meditative mood and then breaks into more action for contrast. The piece ends with a quiet, slow and determined repose.