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O Holy Night
Published with parts for violin, violin/viola and cello plus piano. The piece begins with a rather traditional solo and then joined by an imitative second part. The piece continues in block harmonies and then breaks into contrapuntal movement. With a modulation, the parts become more ornamented. A break is then created with the piano carrying the melodic material and then joined with the trio parts moving together producing solid harmonies. Then, in traditional fashion the piece concludes in a manner of repose.
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O Holy Night
Published with multiple woodwind parts for each of the three voices plus piano. The piece begins with a rather traditional solo and then joined by an imitative second part. The piece continues in block harmonies and then breaks into contrapuntal movement. With a modulation, the parts become more ornamented. A break is then created with the piano carrying the melodic material and then joined with the trio parts moving together producing solid harmonies. Then, in traditional fashion the piece concludes in a manner of repose.
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Silent Night
A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.
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Silent Night
A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.
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Silent Night
A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.
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Silent Night
A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.
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Silent Night
A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.
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Silent Night
A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.
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Silent Night
A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.
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Silent Night
A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.
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Silent Night
A Rich Heffler Music arrangement. Basically a straight forward presentation of the melody in the first and third verses which are more staid. The middle section is quite florid. The accompaniment has the flavor of the impressionist construction and harmony.
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Hark The Herald Angels Sing
This brass quintet with piano can also be used as a sextet with the optional parts. It is presented in a march style incorporating “My Country Tis Of Thee,” and “America The Beautiful”. The piece is of moderate difficulty but because of the way the scoring passes the parts around there is a variety of tonal color as well as rhythmic movement.
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He Is Born
Joyful! Joyful! Joyful! This constantly bubbly piece makes a point of the excitement of the Birth of Christ. Although the shapes of the lines constantly change the drive to the end is always present. Rejoice!
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Gesu Bambino
This sensitive solo arrangement rotates a haunting Sicliano type theme and the traditional Adeste Fidelis in an almost rondo form. A beautiful rendition that is very reflective and meditative and would serve well for any venue.
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Gesu Bambino
This sensitive solo arrangement rotates a haunting Sicliano type theme and the traditional Adeste Fidelis in an almost rondo form. A beautiful rendition that is very reflective and meditative and would serve well for any venue.
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Gesu Bambino
This sensitive solo arrangement rotates a haunting Sicliano type theme and the traditional Adeste Fidelis in an almost rondo form. A beautiful rendition that is very reflective and meditative and would serve well for any venue.
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Gesu Bambino
This sensitive solo arrangement rotates a haunting Sicliano type theme and the traditional Adeste Fidelis in an almost rondo form. A beautiful rendition that is very reflective and meditative and would serve well for any venue.
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Gesu Bambino
This sensitive solo arrangement rotates a haunting Sicliano type theme and the traditional Adeste Fidelis in an almost rondo form. A beautiful rendition that is very reflective and meditative and would serve well for any venue.
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Gesu Bambino
This sensitive solo arrangement rotates a haunting Sicliano type theme and the traditional Adeste Fidelis in an almost rondo form. A beautiful rendition that is very reflective and meditative and would serve well for any venue.
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I Saw Three Ships
This string quartet is a rollicking rendition of this old carol. The melodic material is passed around amongst all the parts to give color and interest. As well, the punctuations of pizzicato and various other articulations adds a good stimulation for interest as to what is going to haooen next? Colorful! Entergetic! Delightful! This piece has it all!