This French horn solo, written in a majestic style, opens with a declamatory statement of the hymn. It then uses fanfare-like figures to further embellish the melody’s statement. It ends on a strong note, giving a sense of confidence.

A gentle introduction by the piano and then the solo horn presents the theme with subtle rhythmic deviation. The chorus continues in the same fashion. A quick modulation and the theme continues in a modified fashion with even more scale wise embellishment. The piano then takes over with the tune and with another modulation the solo enters with more harmonic deviation. The Coda section moves with subtle motivic deviation and comes to a solemn rest.

This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic.It will make the young performer sound more advanced.

This solo with piano follows a simple theme and variation form. It gives the young soloist the opportunity to play many styles in a short framework.

This solo with piano begins with the portrayal of a pastoral setting. The arrangement incorporates both “Flow Gently Sweet Afton” and “Luther’s Hymn”.

This solo piece with piano is presented in a straight-forward manner for the younger player with some altered pitches for interest.

This solo with piano begins with the strains of a lion’s roar. Next enters Daniel in a simple fashion followed by a statement in a triumphal march. The lions return-Daniel prevails.

This solo with piano begins with a bold march statement with an elongated rhythm of the melody. The middle section is more expressive while the final section imitates the beginning, with a solid statement of faith.