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Redeemed
This is a flute solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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God Rest Ye Merry Gentlemen
A flute solo with piano presents itself with a sense of flair- much in a rhapsodic fashion. It has continual embellishment of the theme. Very merry! Very joyful!
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Sing, We Now Of Christmas
This beautiful Christmas carol has been a source of inspiration since the late 15th Century. Originally called ‘Noel Nouvelet’, it became a worldwide favorite early in the 17th century and has remained popular ever since. While retaining all of the
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Blessed Assurance
Back in 1873, “Mrs. Joseph F. Knapp (Phoebe) composed a melody and played it over to me two or three times on the piano. She then asked what it said. Fanny Crosby replied, “Blessed assurance, Jesus is mine!” These words became the tune’s inspiration.
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Verily, Verily
This unaccompanied flute quartet is based on a traditional gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. There is a four page score and an individual part for each player. The arrangement is in a traditional ABA form with a martial A section contrasted by a lilting fast 6/8, B section with a feel of two beats per measure. The arrangement returns to the martial A section which builds to the climatic ending.
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Love Found A Way
This unaccompanied flute quartet is based on a traditional gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. There is a three page score and an individual part for each player. The arrangement is a bright 6/8 gospel song with interesting uses of contrasting and complimentary rhythms and harmonies.
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I Walk With The King
This unaccompanied flute quartet is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. There is a three page score and an individual part for each player. The arrangement provides an interesting development in the use of 6/8 rhythmic patterns. Special attention will need to be taken to get the interesting rhythmic patterns to fit within the 6/8 feel of the arrangement.
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Count Your Blessings
This unaccompanied flute quartet is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This bright arrangement of the hymn tune has proved to be very accessible and popular as a first quartet. There is a four page score and an individual part for each player. The arrangement is in a traditional ABA form with a bright A section contrasted by a lilting B section with almost a feel of one beat per measure. The arrangement returns to the
bright A section which builds to the climatic ending. -
Come Thou Almighty King
This unaccompanied flute trio is based on a traditional hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement of the hymn tune will provide an interesting variation passing the melody between the flutes with contrasting harmonies after the offset entrances. There is a two page score and a part for each player.
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This Is My Father’s World
This flute solo with piano accompaniment is based on this classic hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. The simpler variations to the hymns tune make this usable by developing players.
this classic hymn tune. The arrangement is from the
teaching files of Monty Budahl and is useful for vesper,
offertory, and special. The simpler variations to the
hymns tune make this usable by developing players. -
Pass Me Not
This flute solo with piano accompaniment is based on a traditional gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement of the hymn tune will provide an interesting variation in playing styles for the intermediate player.
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Jesus Savior, Pilot Me
This flute solo with piano accompaniment is based on a nautical themed gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special.
nautical themed gospel song. The arrangement is from
the teaching files of Monty Budahl and is useful for
vesper, offertory, and special. -
Jesus Is Coming Again
This flute solo with piano accompaniment is based on this Joyful hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. The variations to the hymn tune will provide an interesting challenge to the intermediate player.
this Joyful hymn tune. The arrangement is from the
teaching files of Monty Budahl and is useful for vesper,
offertory, and special. The variations to the hymn tune
will provide an interesting challenge to the intermediate
player. -
Harbored In Jesus
This flute solo with piano accompaniment is based on a nautical themed gospel song. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This simple arrangement of the hymn tune will provide an interesting challenge for the developing player. The simpler variations with the longer length make this arrangement very useable as an offertory by a developing player.
nautical themed gospel song. The arrangement is from
the teaching files of Monty Budahl and is useful for
vesper, offertory, and special. This simple arrangement
of the hymn tune will provide an interesting challenge
for the developing player. The simpler variations with
the longer length make this arrangement very useable
as an offertory by a developing player. -
Springs Of Living Water
A unaccompanied flute quartet with optional fourth part clarinet. The introduction begins with a “bubbling” motive which leads into the tune stated in the lower voices with responses interspersed in the upper voices. After a short flourish the melodic material resurfaces like the beginning. A modulated interlude is tossed about leading into a another modulation with extraneous motives. And yet, another modulation where the melody is more staid until it leads into another modulation which acts as a coda concluding with a celebratory flourish.
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Be Thou My Vision
This solo is presented in a gentle, pastorale fashion migrating to a delightful obligato passage in the middle of the work. After a brief cadenza it settles into a hushed Adagio giving a sense of final rest.
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O Come, O Come Emmanuel
A solo with piano accompaniment. After a solid introduction the arrangement presents the melody with a simple statement. After several melodic statements the soloist then presents itself with a delightful counterline. It is finalized with declamation.
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All Hail The Power Of Jesus’ Name
solo with piano. This beloved, timeless hymn is arranged at the grade 2.5 level yet is crafted with expressiveness and balance that sounds like a much more advanced performance level than grade 2.5. Both the soloist and piano accompanist are featured.
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Amazing Grace
This solo opens with a gentle, Celtic fashion in a duple meter. It progresses through a series expressive obbligati giving a sense of elevation. As it nears the end it modulates metrically and harmonically to a triple meter, and then final repose.
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A New Name In Glory
Beginning in an animated and cheerful manner, the melody is continually altered in obligato-like fashion. The middle section is slower and thoughtful, only to recapitulate to the beginning cheerfulness.
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In The Garden
A Rich Heffler Music arrangement. This solo is presented in a pastoral setting being very reflective. Melodic material is not modified to a larger degree allowing for a solemn setting
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