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Take Time To Be Holy
The piece begins in a subdued fashion (in F). The theme is then presented by upper woodwinds while supported by contrasting brass accompaniments. The middle section is an episode based on the texture of the opening theme. The form is an overall ABA with a reflective coda.
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Take Time To Be Holy
A trombone trio with opt. BHTC that is unaccompanied. The introduction begins in a duple meter with unrelated thematic material. The first section is presented in a chordal fashion with pedal in the third part which takes over the melody at the chorus. A modulation takes place where the melodic line is in the second part with the other parts in a moving counter-fashion. The third section begins in a modulated move with the three parts interacting continually until the third part begins its pedal movement once again until a solemn end.
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Take Time To Be Holy
A brass duet with piano accompaniment presents itself in a simple fashion. The middle sections show more counterpoint between the duet lines. It ends in a gentle repose.
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Take Time To Be Holy
A brass duet with piano accompaniment presents itself in a simple fashion. The middle sections show more counterpoint between the duet lines. It ends in a gentle repose.