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My Faith Looks Up To Thee
solo with piano. This classic hymn is arranged at the intermediate performer’s level yet is crafted with expressivity and symmetry. Both the soloist and piano accompanist are featured.
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My Faith Looks Up To Thee
solo with piano. This classic hymn is arranged at the intermediate performer’s level yet is crafted with expressivity and symmetry. Both the soloist and piano accompanist are featured.
-
My Faith Looks Up To Thee
solo with piano. This classic hymn is arranged at the intermediate performer’s level yet is crafted with expressivity and symmetry. Both the soloist and piano accompanist are featured.
-
My Faith Looks Up To Thee
solo with piano. This classic hymn is arranged at the intermediate performer’s level yet is crafted with expressivity and symmetry. Both the soloist and piano accompanist are featured.
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My Faith Looks Up To Thee
Even though this arrangement is written well within the range of the novice player, it is also crafted to be expressive and beautiful. Both the trumpet and piano are featured as soloist.
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My Faith Looks Up To Thee
After a brief introduction thetuba solo enters with the theme with a piano line that is rather alla-Baroque. The next section is presented in the piano with warm harmonic movement. The middle section is offered by the solo line in a mildly altered tune. This leads to a modulation with textures reminiscent of the previous two styles. The Coda is a majestic conclusion stating the theme of the title.
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My Faith Looks Up To Thee
After a brief introduction the trombone solo enters with the theme with a piano line that is rather alla-Baroque. The next section is presented in the piano with warm harmonic movement. The middle section is offered by the solo line in a mildly altered tune. This leads to a modulation with textures reminiscent of the previous two styles. The Coda is a majestic conclusion stating the theme of the title.
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My Faith Looks Up To Thee
After a brief introduction the trumpet solo enters with the theme with a piano line that is rather alla-Baroque. The next section is presented in the piano with warm harmonic movement. The middle section is offered by the solo line in a mildly altered tune. This leads to a modulation with textures reminiscent of the previous two styles. The Coda is a majestic conclusion stating the theme of the title.