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He Is Born
$8.00Joyful! Joyful! Joyful! This constantly bubbly piece makes a point of the excitement of the Birth of Christ. Although the shapes of the lines constantly change the drive to the end is always present. Rejoice!
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He Is Born The Divine Christ Child
$9.00A woodwind quartet score for two flutes, two clarinets and piano in a jubilant fashion. The piece starts out with a flute solo then in flute/clarinet responsorals. The piece continues to gain more flavor through rhythmic activity leading up to an exuberant ending.
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Angels We Have Heard On High
$9.95This unaccompanied clarinet quartet is based on a traditional Christmas carol. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement of the hymn tune will provide an interesting variation passing the melody between the flutes with contrasting harmonies after the offset entrances. There is a two page score and a part for each player.
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Angels We Have Heard On High
$30.00Set in a 5/4 time ala “Take Five”, this praise band Christmas arrangement may be performed with as few as 4 players (Trp, A. Sx, Tbn, Pno) yet expands to include a full band (3 Trp, 2 A. Sx, T. Sx, Bari Sx, 3 Tbn, Pno, Bass, Gtr, Organ)
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He Is Born, The Divine Christ Child
$7.00A Woodwind quartet for two flutes and 2 clarinets. The piece gins in a spritely duet in the upper voices and reverses roles with the lower voices carrying the melody and duet lines. All four voices now join in a smooth, serene fashion until it gains dynamic and harmonic strength. A modulation upward with the tune in voice two, and an obbligato-like movement in part one, while the lower parts underpin with a simplistic, though active line. In the last section the parts become more active and excitement abounds until a final flourish establishes the end.
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He Is Born, The Divine Christ Child
$11.00Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. The piece gins in a spritely duet in the upper voices and reverses roles with the lower voices carrying the melody and duet lines. All four voices now join in a smooth, serene fashion until it gains dynamic and harmonic strength. A modulation upward with the tune in voice two, and an obbligato-like movement in part one, while the lower parts underpin with a simplistic, though active line. In the last section the parts become more active and excitement abounds until a final flourish establishes the end.
