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Happy Song
The “Warfare” section of The Salvation Army Song Book is full of battle songs that remind us that despite things such as trouble, calamity, persecution, hunger, poverty, danger – even unto death, etc., “overwhelming victory is ours through Christ, who loves us” (Romans 8:37 [NLT]). We are soldiers in an army that is already promised victory because of our captain, Christ himself!
This is a bright arrangement of one of these songs, “Happy Song” by William Bradbury (1867). The lyrics by Fanny Crosby (1867) remind us to “Shout for Joy!” as “we are marching on with shield and banner bright.”
The “Warfare” section of The Salvation Army Song Book is full of battle songs that remind us that despite things such as trouble, calamity, persecution, hunger, poverty, danger – even unto death, etc., “overwhelming victory is ours through Christ, who loves us” (Romans 8:37 [NLT]). We are soldiers in an army that is already promised victory because of our captain, Christ himself!
This is a bright arrangement of one of these songs, “Happy Song” by William Bradbury (1867). The lyrics by Fanny Crosby (1867) remind us to “Shout for Joy!” as “we are marching on with shield and banner bright.”
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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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Near The Cross
This is an expressive level three solo with piano accompaniment that employs a celtic lilt in its melodic flow. It modulates upward and adds excitement with the newly introduced motivic counterlines in the solo, only to begin its final movement downward in a meditative repose.
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To God Be The Glory
3 tpts, tbn, tbn/tuba (hn sub/trp 3). It begins with moving eighth notes giving way to an antiphonal chorus. Then the melody is in the bass voice w/counter lines above followed by cascading sixteenth not patterns which in turn pyramids to a final cadence
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Redeemed
This is a violin solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a tenor sax solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a alto sax solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a clarinet solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a oboe solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.
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Redeemed
This is a flute solo with piano exudes a continual elegance with its rather simple flow and yet has meaningful embellishment to add polish to the texture. It ends with a punctuation of joy.