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Instrumental Praise & Worship (Eb edition)
Solos or duets (all editions work together). Includes: As The Deer, Give Thanks, He Is Exalted, How Majestic Is Your Name, Our God Reigns, We Have Come Into His House, and more…
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Instrumental Praise & Worship (BC edition)
Solos or duets (all editions work together). Includes: As The Deer, Give Thanks, He Is Exalted, How Majestic Is Your Name, Our God Reigns, We Have Come Into His House, and more…
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Instrumental Praise & Worship (BC edition)
Solos or duets (all editions work together). Includes: As The Deer, Give Thanks, He Is Exalted, How Majestic Is Your Name, Our God Reigns, We Have Come Into His House, and more…
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Instrumental Praise & Worship (C edition)
Solos or duets (all editions work together). Includes: As The Deer, Give Thanks, He Is Exalted, How Majestic Is Your Name, Our God Reigns, We Have Come Into His House, and more…
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Instrumental Praise & Worship (C edition)
Solos or duets (all editions work together). Includes: As The Deer, Give Thanks, He Is Exalted, How Majestic Is Your Name, Our God Reigns, We Have Come Into His House, and more…
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Instrumental Praise & Worship (Bb edition)
Solos or duets (all editions work together). Includes: As The Deer, Give Thanks, He Is Exalted, How Majestic Is Your Name, Our God Reigns, We Have Come Into His House, and more…
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Instrumental Praise & Worship (Bb edition)
Solos or duets (all editions work together). Includes: As The Deer, Give Thanks, He Is Exalted, How Majestic Is Your Name, Our God Reigns, We Have Come Into His House, and more…
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Instrumental Praise & Worship (Bb edition)
Solos or duets (all editions work together). Includes: As The Deer, Give Thanks, He Is Exalted, How Majestic Is Your Name, Our God Reigns, We Have Come Into His House, and more…
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There Is A Fountain
Scored for traditional brass quintet with opt. Baritone this arrangement uses many altered devices to hold interest and add variety to a piece that otherwise presents itself as pretty straight-forward.
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Follow On
A flute quartet, with optional 4th part for clarinet, this cheerful rendition just bubbles all over the place. A piccolo solo can be incorporated in an Alla Sousa fashion if desired.
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My Faith Has Found A Resting Place
Scored for 2 trumpets, horn, trombone and piano the piece begins with a gentle expression only to be met with a more active exuberance. It then quiets and then comes to a gentle repose.
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Brethren We Have Met To Worship
For traditional woodwind quintet scoring with optional alto sax and bass clarinet parts, this piece begins in a plaintive fashion moving toward a central, Celtic flavor–returning to the opening mood. optional parts: ASax for Horn and BCl for Bssn.
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America, America
This brass quintet with piano can also be used as a sextet with the optional parts. It is presented in a march style incorporating “My Country Tis Of Thee,” and “America The Beautiful”. The piece is of moderate difficulty but because of the way the scoring passes the parts around there is a variety of tonal color as well as rhythmic movement.
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Sweet Hour Of Prayer
For string quartet with optional third violin this pieces is quite motivic which gives an effect of being very contemplative. It tends to migrate rather unexpectedly with melodic material, all the while capturing the essence of the title.
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Bring A Torch, Jeanette, Isabella
This fantasia for flute and piano is Celtic in nature, and it is rich in harmonic and rhythmic movement. It is incessantly in motion until it settles in final rest.
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Coventry Carol
This vigorous, and rigorous piece is scored for four horns. It presents the theme in many formats moving through various keys and rhythmic motions. It is Celtic in nature.
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Hallelujah Side
This solo for snare drum and piano follows the format of many of the traditional, classically based snare drum solos with the tune in the keyboard. The piece is exuberant from beginning to end giving a continual sense of praise.7
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At The Cross
This is a cello solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a violasolo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a violin solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.
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At The Cross
This is a mallet solo with piano which presents the opening melody in a straight forward manner. The middle sections use various cleverly designed counter melodies in the solo part. The final section establishes the original melody.