This solo with piano begins with a modified melodic statement. It enters into a second section with simple obligati and then returns to a beginning-like statement and ends with a simple coda.
This solo with piano is structured in a quasi-rondo form. Thus making a great deal of variety in texture, style, and dynamic. It will make the young performer sound more advanced.
This is a flute solo that begins in a flowing manner and quickly accelerates to a more technical rendition of the tune creating a delightful atmosphere of this grand old hymn. It is effervescent and uplifting.
An accompanied flute solo which begins with a piano introduction and then presents a modified melody with an extended cadence in the piano. A modulation occurs where the solo line presents a variation of the original theme to a higher register giving a sense of intensity and then ends with a solemn motive.
Taken from the “Messiah”, this solo with piano is essentially a transcription of the original work. The balance in the writing between the solo and the accompaniment gives way to the sensitivity of the text of this well-know aria..