To God Be The Glory

Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. The piece gins in a spritely duet in the upper voices and reverses roles with the lower voices carrying the melody and duet lines. All four voices now join in a smooth, serene fashion until it gains dynamic and harmonic strength. A modulation upward with the tune in voice two, and an obbligato-like movement in part one, while the lower parts underpin with a simplistic, though active line. In the last section the parts become more active and excitement abounds until a final flourish establishes the end.

(3-tpt, hn, 2-tmb/BH, tba

Three Plus Flutes for three soprano with opt. 4th/ob. with alto and bass & piccolo. The first phrase is stated in the top voice, then adding the second voice, further adding the third voice until all voices are in agreement. The next section moves in a rather jaunty motion going through various meter changes. The middle section is stated with the tune in the top voice with accompaniment figures presented in a syncopated manner. All this happening in a modulated key. Further modulation takes place with a motive stated in the second voice, followed the third, then first until it settles into a final statement of kindness.