| Instrument | |
|---|---|
| Level | 2 |
| Occasion | |
| Theme | Thy Loving Kindness |
| Writer | |
| Publisher | |
| Copyright | 2011 |
| Comments | Thy Loving Kindness |
Thy Loving Kindness (Solo Bb/C)
$24.95
Related products
-
-
Look And Live
$12.00A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. The introduction uses extraneous material where it leads in the first theme in the French horn, supplemented by trombone counterlines and trumpet flourishes. Thematic movies are then embellished leading up to a modulation where the tempo slows and a new mood encountered. The first trumpet carries the lead and offset with a horn duet line. Another modulation, an a-tempo with the theme in the low brass and accompaniment lines in the middle brass. This continues until the voices stack up until a boisterous conclusion is achieved.
-
Assurance March
$9.00A traditional brass quintet with opt. trumpet for horn and extra baritone for use as a sextet. A piece in Alle Breve, is simply stated in block chords with an active bass line. The first strain, is repeated, and follows traditional march scoring. The second section is a bit slower and again in block chord structure, but this time with a first trumpet obbligato. With a regaining of tempo and style the piece becomes stronger until a grandiose ending.
-
Christmas for WW
$9.00(std+ opt)(opt quartet) Joy To The World; God Rest Ye Merry Gentlmn; Angels We Have Heard On High; O Little Town Of Bethlehem
-
How Firm A Foundation
$12.00Opening with a fanfare, the first section is in block harmonization with some moving lines. It then moves into melodic statements in the lower instruments with supported obiligatti in the trumpets and horn. The structure again becomes solid in scoring only to return with similar trumpet obbligati. The obbligati is next introduced in the lower voices and then increased rhythmic activity in all voices builds to a solid ending.
-
Only A Sinner
$10.00A woodwind quartet for Flute, oboe, and two clarinets with optional parts for flute and alto sax. Plus a set of fifth parts for bassoon or bass clarinet can allow for the piece being a quintet. The first statement is in the clarinets where it leads into a full ensemble passing the lines amongst the parts. A delightful little segue leads to a modulation where the tune is in the lower lines alternated with flourishes in the flutes. This Alternating texture carries on for some time. Then the tempo picks up for a vibrant exclamation where the theme is once again bantered about where it makes one final boast and concludes.
-
-
