SKU: | 17508 |
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Category: | Sextets |
The New York Brass Sextet Journal Volume #8
$40.00
March Patriotica (Stephen Bulla); What Wondrous Love (Douglas Court); Materna (Stephen Bulla); When He Cometh (Ray Steadman-Allen); Simple Gifts (Douglas Court); Eternal Father (Stephen Bulla); Coronation (Ray Steadman-Allen)
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America, the Beautiful
A woodwind sextet with standard quintet instrumentation only with two flutes. The piece is structured around the simple tune and is passed around through the various instruments all the while supported with moving parts by the remaining instruments The counterpoint is solid throughout and makes for a very reflective ensemble rendition.
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Proclamation Medley
A brass sextet with opt. parts for flugelhorn and BHTC. The beginning presents a vigorous fanfare where it settles down into solemn rendition of “We’ve A Story To Tell To The Nations.” After a modulation the piece continues with “I Love To Tell The Story” with more open scoring passing the tune around amongst the parts. Another modulation, another tune- this time “Send The Light” in a march style giving purpose. Another modulation leading into “Since I Have Been Redeemed” in the upper parts, only to be followed with the theme in the lower voices. Then after a sequence of cascading entrance the piece concludes on a resounding sense of resolve.
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I Will Sing
A vigorous piece that begins with extraneous thematic material that goes through various transformations that eventually breaks open to the theme of the title. An exciting brass ensemble that’s certain to please an audience of various venues.
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Alleluia!
Scored for various mallet instruments as well as general percussion. The piece begins with tutti percusion overlayed with vocal narrations giving a dramatic effect. The piece then explodes with a mallet ostinato and then joined with tutti mallets on the theme. Next, after a ritardando, the mallets present a calm thematic rendition supported by gentle effects of the other percussion. It builds to a strong climax and the ostinato returns with the theme to follow. The final section uses imitative devices with the general percussion becoming more active. Until it all leads up to a stirring conclusion.
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Festival of Carols
Scored for 2 trumpets, horn, trombone, baritone and tuba this medley is a celebration of Christmas. Included are “Joy To The World,” “Angels We Have Heard On High,” “Silent Night,” and “O Come, All Ye Faithful.”
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The Old Rugged Cross
The introduction of this brass sextet (3 Trp., 3 Trom.) begins with strong choral movement and then settles into repose. The first presentation of the tune is in the trombones with a subtle counterline in the trumpets which then opens up to a stronger movement with the melody in the trumpet. The tune then reverts back to the trombones and then transitions to a move active support pattern in the trombones with a solo in the second trumpet. The final section gives way to a powerful presentation of the tune and immediately settles into a sensitive climate, much like the beginning. After a DC the piece ends with the strong motifs of the introduction giving a sense of finality. (Opt Horn for 1st Trom.)
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Pilgrim Medley
A brass sextet with opt. parts for flugelhorn and BHTC. The beginning introduces stacked motives building to full chords. Following is a rendition of “When I Can Read My Title Clear” with melody broken down into fragments passed around to the various instruments. After key changes the quintet presents “I Am Bound For The Promised Land” in much the same fabric of the earlier section. After a brief transition in a new key we find “Just Over In The Glory Land” in a more flowing style than the earlier tunes. The Coda section becomes my rhythmically active where it ends on a solid chord .